Here is all 1,145 of the artscriticATL.com posts:
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- February 2012 (11)
- 08: Preview: A cinematic feast awaits at biggest-ever Atlanta Jewish Film Festival (0)
- 07: Review: Buddhist mysticism rides the cutting edge in “Contemporary Mandala” at Emory’s Visual Arts Gallery (1)
- 06: It’s “American Idol” at Spivey Hall, Metropolitan Opera style, for Southeastern finals (4)
- 06: Theater review: Reel in some laughs with “Deadliest Sketch,” greatest hits from Decatur’s Sketchworks (0)
- 06: Tortured artistic genius Mark Rothko comes alive in Theatrical Outfit’s intense, thoughtful “Red” (0)
- 06: Review: Home, sweet home in Cabbagetown and elsewhere, through Heather McPherson’s eyes at Get This! (2)
- 05: Review: “Edge/PUBLIC” in the park continues conversation about art in public spaces (1)
- 02: Preview: String trio by the ASO’s Juan Ramírez to premiere in “Music on the Hill” series (0)
- 02: Review: Elizabeth Lide, Elizabeth Sheppell, Marshall Davis — a study in contrasts at Sandler Hudson Gallery (1)
- 01: The Twyla Zone: Atlanta Ballet dancers cherish working with Tharp on “Princess and the Goblin” (0)
- 01: Review: It’s the ’50s again as Broadway’s exuberant “Memphis” rocks and rolls into Fox Theatre (0)
- January 2012 (43)
- 31: Review: A rousing and ambitious debut for “Off the EDGE” dance festival (0)
- 31: A posthumous photography star is born: Vivian Maier at Jackson Fine Art and Lumière (2)
- 30: Review: Music and molecules converge in Emory’s “Creation of the World” (1)
- 30: Review: Théâtre du Rêve’s inventive, engaging “The Red Balloon” charms with its magic (1)
- 30: Review: Art as mysticism and meditation in “Mandala: Sacred Circle in Tibetan Buddhism” at Carlos Museum (3)
- 29: 10 Georgians compete for 2012 Townsend Prize for fiction (1)
- 27: ASO review: “Resurrected” Runnicles finds the sweetness in Mahler’s dark, ferocious Symphony No. 2 (7)
- 27: Review: Puppets face final frontier in Center for Puppetry Arts’ superb ode to “Space” (1)
- 27: Film review: Finnish director Aki Kaurismäki’s too hip by half with his dreadful “Le Havre” (0)
- 26: Film review: Cross-dressing Glenn Close can’t save gender-bending “Albert Nobbs” (0)
- 24: Film preview: Emory’s “Painting With Light” series illuminates big-screen classics (0)
- 23: Review: “Body of Water” creates an ocean of mystery at Aurora Theatre (0)
- 23: Review: Lieder, mélodie flow gracefully from refined mezzo-soprano Susan Graham at Spivey Hall (1)
- 23: Review: Dance Canvas showcase paints bright picture of future (2)
- 23: Photos in Jerry Siegel’s “Facing South: Portraits of Southern Artists” brim with humanity (4)
- 22: Jazz review: Branford Marsalis and Joey Calderazzo, musical soulmates, fill Spivey Hall with quiet beauty (0)
- 20: Review: In Contemporary’s “Day Job: Georgia” and “100,000 Cubicle Hours,” artists make the most of work (1)
- 20: ASO review: Rare Britten, warhorse Beethoven from Donald Runnicles, violinist James Ehnes (3)
- 19: Review: Alliance Theatre’s broad, boisterous “God of Carnage” can’t overcome thin script (1)
- 19: Film review: Charm of Céline Sciamma’s “Tomboy” lies in provocative understatement (0)
- 19: Atlanta dance scene to take big leap Off the EDGE with weeklong festival (0)
- 19: Breaking news: Beloved ASO guest conductor Donald Runnicles signs on for two more years (4)
- 18: Review: Photos and videos in Benita Carr’s “Morning Sun,” at Whitespace, explore darker side of motherhood (2)
- 17: Expect theatrical anarchy when Atlanta debuts its own “fringe festival” in May (0)
- 17: Review: Gyun Hur’s “In a Landscape Anew” with Hudgens Center solo show (1)
- 16: In innovative 24-hour competition, opera takes on “Project Runway” vibe (0)
- 15: Review: At Actor’s Express, love and faith collide in smart, must-see “Next Fall” (0)
- 15: Part-time Atlantan David Daniels takes lead in Metropolitan Opera’s “Enchanted Island” (0)
- 14: Review: In OnStage Atlanta’s “40 Weeks,” pregnancy shakes up a marriage (1)
- 13: ASO review: Yo-Yo Ma brings soul to 20th-anniversary “King Celebration” (4)
- 12: Review: Architectural research turns sexy in MODA’s “Emerging Voices 11″ (3)
- 12: Breaking news: Scott Freeman named ArtsCriticATL deputy editor (5)
- 10: Review: Kristine Potter, Jeremy Chandler challenge gender roles in “Camouflage” at Hagedorn Gallery (2)
- 09: Review: Percussionists Chix With Stix return like a phoenix in first concert in two years (3)
- 08: Review: Katherine Mitchell’s impressive, touching “Places of Memory and Dreams” at MOCA GA (0)
- 07: Review: Ambitious “Into the Dark Wood” showcases Brooks & Company’s technical, expressive gifts (0)
- 06: ASO review: Pianist Dejan Lazic reigns with Beethoven’s “Emperor” Concerto (3)
- 06: Review: Beverly Buchanan at Barbara Archer, Susan Loftin and Mario Petrirena at Sandler Hudson (0)
- 05: Public art: Caroline Lathan-Stiefel’s “Ocean” begins slow deluge down side of intown building (0)
- 04: The year in review: Literary prizes open our eyes to unexpected writers (3)
- 02: Review: Chamber Cartel debuts with Morton Feldman’s well-woven “Crippled Symmetry” (3)
- 02: January’s jam-packed with modern dance premieres in Atlanta (0)
- 02: Review: Nail polish provocation in Scott Ingram’s “Cusp” at Emily Amy Gallery (2)
- December 2011 (24)
- 29: The year in review: Big shows, bare bones, and 11 productions that enthralled (1)
- 29: The year in review: Four blockbuster musical events, and one huge check (1)
- 29: The year in review: Dance moves into spotlight with innovation, boldness and passion (0)
- 29: The year in review: In an economic drought, Atlanta’s art “tree” flourishes and blooms (6)
- 29: Review: Venske and Spänle’s slithery, spooky-funny “myzots” again invade Marcia Wood Gallery (0)
- 26: Elgar’s First, once called “greatest symphony of modern times,” to kick off ASO’s “Elgar Spring” (4)
- 26: Review: Ben Steele’s ethereal, mysterious paintings at Kiang Projects (0)
- 22: Good news: Here’s what’s happening with artists and critics in your neck of the woods (4)
- 20: Soloists shine in New Trinity Baroque’s “Candlelight Christmas” (2)
- 19: Art Basel Miami Beach, where shopping, aesthetic experience, city’s flamboyance generate heat and sometimes light (8)
- 16: Dancers leap, splash and fly in Richard Calmes’ magical photographs (2)
- 16: Review: Henry Louis Gates sketches epic of black America in “Life Upon These Shores” (0)
- 15: Book review: “Noplaceness” an essential meditation on contemporary Atlanta artists and shifting notions of place (2)
- 14: Review: Critiquing cultures at Jackson Fine Art with Lalla Essaydi, Greg Lotus, Paper-Cut-Project, Ed Pfizenmaier (0)
- 13: CD review: Spano, Garrick Ohlsson find new depths to Rachmaninov on dazzling ASO recording (0)
- 10: Review: Horses take the stage in “Odysseo,” spectacle at its best (0)
- 10: Review: Atlanta Ballet’s “Nutcracker” enchants audiences at a breathless, 21st-century pace (1)
- 08: Breaking news: High Museum’s new collaboration with Crystal Bridges, Terra Foundation and Louvre (0)
- 06: Savoring opera in the City of Light, with audiences Atlanta could learn from (5)
- 06: With SEEKATL, artists Ben Steele and Shara Hughes foster conversation and community (1)
- 05: Review: Fabrefaction’s “Rocky Horror” shivers with Christmas weirdness — and good cheer (3)
- 05: Review: Nature meets culture in Christmas trees, art and a heady trip through Darwin’s life and times, at Fernbank (2)
- 03: Recent college grad Aurora Florence tackles “My Fair Lady’s” Eliza Doolittle with confidence (0)
- 02: Adventurous Irish composer Jennifer Walshe “excited” to perform with Bent Frequency (0)
- November 2011 (35)
- 30: Review: Violence stalks a reclusive beauty in Charles Frazier’s “Nightwoods” (0)
- 29: A tale of three Scrooges: Local actors offer unique interpretations of Dickens’ Christmas classic (0)
- 29: Review: Fine Arts Workshop artists build on Abstract Expressionism in “Irascible Muse” at Bill Lowe Gallery (0)
- 28: Museum of Design to mark World AIDS Day with 24 hours of programs (0)
- 28: Memorial Drive: D. Patton White discusses roots of Atlanta’s modern dance community (5)
- 27: Review: Themes and variations at Mason Murer, plus 150 years of African-American art (4)
- 22: Review: At the High, photographer Ralph Gibson’s mysteries of visual severance (1)
- 21: Review: Ballethnic’s “Urban Nutcracker” brings unique flair to a holiday tradition (0)
- 21: Review: Riverside Chamber Players shine in music of Dallow, Smetana (1)
- 21: Memorial Drive: Atlanta’s forgotten classical music history (30)
- 20: Two well-known galleries to close, let others wage artistic “Battle of Atlanta” (23)
- 18: Edge/PUBLIC chooses “transformative” local works for January performance series (3)
- 17: Review: Auspicious inaugural international Print Biennial at Barbara Archer Gallery (2)
- 17: Local dance companies offer fresh takes on “The Nutcracker” (0)
- 16: Review: Oh, no! “Regietheater” finally comes to Atlanta Opera with “Lucia di Lammermoor” (3)
- 15: Review: SCAD’s new Savannah museum charming but a challenge for curators (3)
- 14: Memorial Drive: Is Atlanta’s public art challenging the status quo or decorating real estate? (12)
- 13: Review: Bailey Center hosts ebullient Ying Quartet in music by Moravec and more (0)
- 12: Film review: Eastwood goes soft on “J. Edgar,” makes notorious FBI chief almost respectable (3)
- 11: Film review: Hypnotic “The Mill and the Cross” brings Bruegel painting to life (0)
- 11: Environmental artist John Grade uses plastic bottles, volunteers to build Emory sculptures (1)
- 10: Film review: Kinky plot in Almodóvar’s “The Skin I Live In” needs more juice (0)
- 10: Review: Formal rigor, romanticism animate Holly White’s photos at Poem 88 (0)
- 10: Estonian pianist Indrek Laul to perform in Duluth (0)
- 09: New York artist Jill Sigman a creator in the Lucky Penny’s “11.11.11 Spectacular! Spectacular!” (0)
- 08: Review: Chagall etchings at Oglethorpe museum capture his “revolutionary” spirit (0)
- 07: Conducting “Lucia di Lammermoor,” Arthur Fagen takes key role as Atlanta Opera music director (0)
- 06: Atlanta Symphony soloists come from within for concertos by Brahms and Mozart (0)
- 06: Photographer Jordan Matter adds Atlanta to “Dancers Among Us” (0)
- 06: Review: Muslim wins 9/11 memorial contest in Amy Waldman’s “Submission,” plus picks for MJCCA book fest (0)
- 05: Manage Subscriptions (3)
- 04: Three generations of exquisite Moulthrop bowls at Marietta/Cobb Museum and Signature Shop (1)
- 03: Art review: Jody Fausett’s surreal new direction in “Unfinished Business,” at Whitespace (0)
- 02: Review: Georgia Ballet’s “Rhythm and Rhapsody” shines in eclectic repertoire (0)
- 02: Breaking news: Artadia selects Atlanta prizewinners, dispenses $45,000 to seven artists (6)
- October 2011 (43)
- 31: Recital review: A rising star, cellist Joshua Roman makes Atlanta debut with Bach (2)
- 30: Theater review: Sweet coming-of-age comedy “Edith Can Shoot Things,” at Actor’s Express (1)
- 28: Review: Fabrefaction Theatre’s creepy, funny and delicious “Sweeney Todd” (0)
- 28: Atlanta Symphony review: Preparing for Carnegie, Spano at his best in new work by Esa-Pekka Salonen (2)
- 27: Atlanta Opera premieres “Rabbit Tales,” a children’s opera based on world folk stories (0)
- 26: Breaking news: Co-founder Catherine Fox to take helm at ArtsCriticATL (22)
- 26: Review: The Contemporary’s “Sex Drive” motors in many directions, depending on your sexpectations (3)
- 26: Dance Canvas names choreographers for 2011-12 Performance Series (0)
- 25: Lucinda Bunnen searches for clues in “Cuba,” at Sandler Hudson Gallery (1)
- 25: Refreshing the classical experience: Cellist Matt Haimovitz bucks convention in free concerts at Emory (0)
- 24: Jazz reviews: Music of “Treme” enlivens Rialto; Paquito D’Rivera at Ferst Center (0)
- 24: Silent films take Atlanta, in High’s “Picasso to Warhol” and special screenings of “Claire,” “Nosferatu” (0)
- 24: Breaking news: Max Anderson, Carlos alum, new director of Dallas Museum of Art (0)
- 24: Spivey Hall review: Violin and piano duo Tetzlaff and Vogt launch national tour (0)
- 23: Book review & interview: Karen Russell’s imaginative “Swamplandia!” and the enigma of mourning (0)
- 23: Review: Atlanta Ballet’s electrifying double bill of “EDEN/EDEN” and “Four Seasons” (1)
- 23: Review: High Museum gets it right with “Picasso to Warhol” (3)
- 23: Film review: The Wall Street game is rigged? “Margin Call” shoots a bull’s-eye (1)
- 20: The Georgia Ballet, ambitious and skilled, prepares Balanchine’s classic “Who Cares?” (0)
- 19: Breaking news: Atlanta foundation awards $100,000 to arts criticism (5)
- 19: Alliance Theatre review: The history of a nation spun as personal yarn in “Golda’s Balcony” (0)
- 19: Rare mummy at Carlos Museum’s “Life & Death in the Pyramid Age” (0)
- 18: Gallery notes: David Johnson at Hammonds House, Mary Stanley group show and lots of iPhonography (0)
- 17: A talk with dancer Anne Burton Avery as Atlanta Ballet returns to “The Four Seasons” (2)
- 17: Theatrical Outfit review: C.S. Lewis, and God, on the couch in “Freud’s Last Session” (0)
- 17: Review: Artists scavenge Internet in Hagedorn’s “The New Photograph” (0)
- 14: Breaking news: Artadia names 15 Atlanta finalists for cash awards (26)
- 13: Film review: French women on the verge of murder in Alain Corneau’s “Love Crime” (0)
- 12: Atlanta Symphony news: Artistic planning guru Evans Mirageas upgrades his role, finally moves to Atlanta (0)
- 11: Film review: Lars von Trier’s “Melancholia” and the gorgeous fetish of doom (2)
- 11: Review: Alluring and illuminating “Photography as Propaganda” at Lumiere (1)
- 11: News you can use: Events at Underground, freebie at the High, discounts at the Contemporary (0)
- 11: Curator of Emory’s “Dark Streets and Dangerous Dames” discusses bad girls of film noir (0)
- 10: Reviews: Paul Lewis opens Spivey season, Mei-Ann Chen energizes Atlanta Symphony (1)
- 10: Review: Georgia Shakespeare searches for a center in Tennessee Williams’ “Glass Menagerie” (0)
- 08: High Museum review: Huber’s American art, Grainger McKoy sculptures, provocative beaux-arts frames (0)
- 06: Terri Dilling’s “Assembly” at Portal Gallery: Finding art and the meaning of life in chemical evolution (1)
- 05: Looking back at FLUX 2011: Artists, students, musicians, a critic, a city councilman weigh in (1)
- 05: Maestra Mei-Ann Chen returns to Atlanta Symphony podium (0)
- 04: Review: QR codes as art object in Didi Dunphy’s exhibit at Sandler Hudson Gallery (1)
- 03: Review: FLUX 2011, where the art biennial, the circus and diverse Atlantans came together (4)
- 03: Dance at the Ferst Center: On rare U.S. tour, Aszure Barton brings “joy and dark humor” (3)
- 01: Atlanta Symphony review: A new Osvaldo Golijov work and a brilliant Joshua Bell solo (2)
- September 2011 (37)
- 30: 7 Stages review: White reporter goes blackface to uncover Jim Crow in “All Blues” (0)
- 29: Review: “Art on the BeltLine” 2011 goes off the tracks (2)
- 29: NeoPhonia returns with Atlanta composers, world premieres in “Red Clay Connections” (0)
- 28: FLUX 2011: Art, dance, theater, light, sound and more, one night only in Castleberry Hill (0)
- 28: Alliance Theatre review: Janece Shaffer’s pitch-perfect “Broke” holds up a mirror to upper-middle-class America (0)
- 28: Critic’s picks: Poignant, glittery and gay, Out on Film festival opens this week (0)
- 27: Book review: Roger Nichols explores composer Maurice Ravel, seductive and secretive (1)
- 26: Recital review: Violinist Stefan Jackiw, a keeper of the old-school flame (0)
- 25: Review: Marcia Vaitsman’s delightfully eerie “Study of Strange Things” at Solomon Projects (0)
- 25: Book review: Cheryl Tan chases food memories and family in “A Tiger in the Kitchen” (0)
- 24: Film review: “Moneyball,” another brainy classic from screenwriter Aaron Sorkin (0)
- 23: Atlanta Symphony review: Spano and chorus impressive on opening night (2)
- 22: Review: B-movies revived with Ryan Gosling in “Drive,” David Bowie in “Man Who Fell to Earth” (0)
- 21: In memoriam: Joe Almyda, artist, teacher and midcentury art-community activist (3)
- 21: Review: 2 Kids and a Dream tap women dance-makers for “SHE Created It” (3)
- 20: Review: Photographers in “Echoes of the Sublime” remake “sublime” for the 21st century, at Emily Amy Gallery (0)
- 19: Review: Decatur’s CORE celebrates 25 years enriching dance scene (0)
- 16: Review: A plan to “Elevate” Underground Atlanta with art doesn’t (16)
- 16: Theater review: Half-wits and charmers in Fabrefaction’s funny “Den of Thieves” (0)
- 15: Film Love presents: Painter, punk and filmmaker James Nares documents New York at its glorious nadir (0)
- 15: Scaled-down Music Midtown is back, with Coldplay in Piedmont Park (1)
- 15: Critic’s Notebook: gloATL’s “Maa” with Robert Spano in a realigned arts landscape (8)
- 14: Review: Sally Mann’s riveting photographic series “Proud Flesh” at Jackson Fine Art (0)
- 13: A fantasy for teen girls and obsessive adults, “Wicked” returns to Fox Theatre (0)
- 13: News and upcoming events: Street artist KAWS at the High, ArtsReady, FLUX 2011, Atlanta Celebrates Photography (0)
- 12: Review: Micah Stansell’s engrossing “The Water and the Blood” muses on vagaries of knowledge at MOCA GA (1)
- 10: Review: Atlanta Ballet joins site-specific trend with “Wabi Sabi” at Botanical Garden (2)
- 08: Review: Celtic Woman junks Celtic style, invents its own pops genre for PBS special (4)
- 07: Ballet in Symphony Hall: gloATL, Sonic Generator and Robert Spano in Kaija Saariaho’s “Maá” (0)
- 07: Theater review: Sondheim’s extraordinary “Into the Woods” opens Alliance season (10)
- 06: Up from the underground: “Living Walls” 2011 au courant as street art enjoys a mainstream moment (3)
- 05: Theater review: Pinch ‘n’ Ouch’s “Bachelorette” dishes up mean girls (0)
- 03: Decatur Book Festival overview: Meet us at Booth 309C, near the new courthouse, when you visit (2)
- 02: Decatur Book Festival: “Wildwood” by keynote speakers Colin Meloy and Carson Ellis (0)
- 01: Film review: “Magic Trip” follows Ken Kesey’s Merry Pranksters on a journey to nowhere (0)
- 01: Breaking news: ACA Gallery of SCAD to close September 2 (6)
- 01: Decatur Book Festival: Blake Butler’s “There Is No Year” turns the novel on its head (1)
- August 2011 (29)
- 31: Breaking news: Emory Center for Creativity & Arts, for a second year, gives community award to dance (1)
- 30: In memoriam: Robert Lower, Atlanta attorney, man of choral music and high adventure (1)
- 30: Decatur Book Festival: Jesmyn Ward’s “Salvage the Bones” a small masterpiece (0)
- 29: Gallery notes: An Pham shines at Spruill, Lucha Rodriguez shows cut-paper panache at Swan Coach House (0)
- 28: Theater review: Actor’s Express roars back to life with “Spring Awakening” (0)
- 26: Cirque du Soleil review: “Dralion” scaled for economy but not huge arenas (0)
- 26: See classic film noir for free in Emory Cinematheque weekly series (0)
- 25: Theater review: Snow White at her bloodiest in “Snow, Glass, Apples” at East Atlanta Farmers Market (0)
- 24: Invent Room Pop review: Part awkward blind date, part falling-in-love music making (4)
- 24: Cynthia’s 2011-12 dance picks: Bold contemporary work could remake Atlanta scene (1)
- 22: Review: Theatrical Outfit’s powerful “The Green Book” opens a page of civil rights struggle (1)
- 15: Art review: Ann Stewart, Seana Reilly plumb the limits of knowledge at Whitespace (0)
- 14: Review: “Shipwrecked!,” a full-sail adventure with a magic touch, at Serenbe Playhouse (2)
- 14: Review: “Body Awareness,” a neurotic comedy, comes to Pinch ‘n’ Ouch Theatre (0)
- 12: Decatur Book Festival: Women write about sex, do it in Erica Jong’s “Sugar in My Bowl” (3)
- 12: Indie Revenge, Atlanta’s avant-garde jazz band, holds court at the Five Spot (0)
- 11: Film review: “The Help,” a feel-good chick flick set in civil rights era (125)
- 11: Film review: “General Orders No. 9,” Robert Persons’ elegy for the Georgia that “progress” destroyed (0)
- 11: Theater review: Collective Project makes stellar debut with “City of Lions and Gods” (2)
- 09: Review: Dorian Consort skips nationalism with Bach and great Swiss composers (4)
- 09: Review: Aurora Theatre’s stunning “A Chorus Line,” directed by Anne Towns (0)
- 09: Review: Old masters, young award winners in two engaging shows at the Contemporary (0)
- 08: Atlanta Symphony prepares 2011-12 season, one of the most interesting in recent years (0)
- 07: Review: “Four Coats,” city of Atlanta mural project, makes auspicious debut (3)
- 04: Review: Richard Garner directs “Noises Off,” genius comedy, at Georgia Shakespeare (0)
- 04: Chris Appleton, other young leaders give Atlanta “new energy” in the arts (4)
- 04: Atlanta’s art scene explodes: A list of young organizations, projects and more (19)
- 01: Manage Subscriptions (0)
- 01: Manage Subscriptions (0)
- July 2011 (24)
- 27: Gallery notes: Frank Poor at GSU, Thornton Dial at Lowe, Yanique Norman at Sandler Hudson (0)
- 26: Atlanta Symphony news: Jim Abrahamson takes over as new board chairman (0)
- 26: Review: Chip Simone’s “Resonant Image” at High Museum samples 10 years of color work (5)
- 24: Blake Beckham’s “PLOT”: Dance inspired by the Goat Farm and an old Chevy truck (1)
- 21: Breaking news: 66 artists named for fall “Art on the BeltLine” exhibit (1)
- 19: Review: Avant-garde watercolors — who knew? High’s “John Marin” makes the case (0)
- 19: Review: Atlanta Symphony closes National Black Arts Festival at Ebenezer (0)
- 18: Atlanta Symphony news: Will principal trumpet Thomas Hooten be snagged by L.A. Phil? (8)
- 18: Dance review: Lauri Stallings’ gloATL reaches for Utopia with “Liquid Culture” (5)
- 18: Review: The joy and terror of adoption in Melissa Fay Greene’s “No Biking in the House Without a Helmet” (2)
- 17: News from Kennesaw State and NBAF: Reeves new gallery director; Odeleye wins award (0)
- 15: MODA’s “WaterDream: The Art of Bathroom Design,” and a progress report on its aspirations (0)
- 13: “Pressing Matters” at Hudgens, Atlanta Printmakers Studio event (0)
- 12: For artists: Special exhibition opportunity at the Contemporary, and info on Artadia grants (2)
- 11: Review: Kiang’s “Small Pieces” explores new information age (1)
- 10: Review: Serenbe Playhouse’s “The Ugly Duckling,” a watery delight (0)
- 08: Breaking news: Artists selected for “Elevate,” two-month festival at Underground Atlanta (1)
- 08: ASO CD review: Lieberson’s “Neruda Songs” and a Theofanidis symphony (0)
- 06: Review: Impressive art in CDC exhibit on violence against women (0)
- 06: Painting on video and music from a Gameboy: “FAV” opens this week (0)
- 05: News: Frank Stella at The Bascom, anagama kiln firing at Hambidge, and more (1)
- 03: Randy Schmidt chronicles Karen Carpenter’s success, tragedy in “Little Girl Blue” (0)
- 03: Preview: gloATL’s nomadic, five-part “Liquid Culture” emphasizes “being together” (0)
- 01: Review: Inventive Radcliffe Bailey shines in High’s “Memory as Medicine” (0)
- June 2011 (29)
- 30: Dance review: Gardenhouse performs Nicole Livieratos’ poignant “Layers” (1)
- 30: Review: Essential Theatre opens festival with light, funny “A Sleeping Country” (0)
- 28: Breaking news: Debut of Fall Line Press, Atlanta’s new publisher of photo books (9)
- 27: Memorial service planned for Linda Dubler, who brought global cinema to Atlanta (86)
- 27: Review: SONICpalooza, a brilliant marathon of new music (11)
- 26: Review: Sex, power and a new adaptation of “Antony and Cleopatra” at Georgia Shakespeare (0)
- 24: Celebrating “Gone With the Wind” at 75: Talks, the original manuscript, dress-up days (0)
- 24: Review: Spruill’s “Site Unseen” reveals architects’ creative process (1)
- 23: Film Love screening: Wild and wacky, Florida is a state of mind for filmmaker Robbie Land (0)
- 22: SONICpalooza, a free marathon of contemporary music, comes to the Woodruff (7)
- 21: Review: Japanese artist Shozo Michikawa’s existential pottery at Signature Shop (0)
- 20: Review: Ruth Stanford’s “Sculptural Love Poem to Architecture” at Callanwolde (0)
- 18: Wylliams/Henry Contemporary Dance finds second home in Atlanta (0)
- 16: Book review: Oscar Hijuelos’ “Thoughts Without Cigarettes,” resurrecting the dead (0)
- 15: Review: MOMA as tastemaker in High’s “Modern by Design” (1)
- 14: When elite talent and romance collide: An Atlanta Symphony love story (4)
- 12: Review: Georgia Shakespeare’s buoyant “The Tempest” opens 26th season (1)
- 10: Atlanta Symphony review: Spano leads a stellar cast in Puccini’s “Madama Butterfly” (7)
- 09: Breaking news: High Museum acquires Alex Katz paintings, Anish Kapoor sculpture (6)
- 09: Jazz CD review: Mace Hibbard’s sultry, structural sax in “Time Gone By” (0)
- 09: Book review: Hate the media? In “The Influencing Machine,” NPR’s Brooke Gladstone blames you (0)
- 07: DanceATL hosts performances and hatches new ideas for Atlanta dance (0)
- 06: Review: Roberto Carlos Lange’s serene audio sculpture “Sounding Up There,” the latest from Flux Projects (1)
- 06: Review: The Paper Twins take street-art smarts to Get This! Gallery (0)
- 05: A hit film for chicks and slobs? A closer look at Kristen Wiig’s compelling “Bridesmaids” (0)
- 04: Two films in review: “Queen to Play,” a pretty comedy, and the high-fashion “L’Amour Fou” (0)
- 03: Art review: Paint as medium and message in Douglas Weathersby’s show at Solomon Projects (0)
- 03: Atlanta Symphony review: Strong new works from Higdon, Mustonen and Oliverio (2)
- 01: Spoleto Festival review: Filling Atlanta’s gaps with U.S. premiere of Kaija Saariaho’s “Emilie” (1)
- May 2011 (42)
- 31: Modern Atlanta’s weeklong design festival merges marketing and education (4)
- 31: Atlanta Symphony to premiere James Oliverio’s “Dynasty” Concerto for timpanist brothers (1)
- 31: Theater review: 7 Stages revisits Jim Grimsley’s Southern classic “Mr. Universe” (0)
- 31: Breaking news: Flux Projects announces artists for fall FLUX 2011 (0)
- 30: Review: Young guns and old pros at lively Abernathy Arts Center juried exhibit (0)
- 26: Mondo Homo’s “Film Love” celebrates “Performance, Ritual, Transformation” (0)
- 25: Atlanta Jazz Festival: Forget avant-garde — vibraphonist Warren Wolf wants people to dance (0)
- 25: Stephen King on his coming Alliance musical “Ghost Brothers of Darkland County”: It’s no “My Fair Lady”! (0)
- 25: Photography review: Vee Speers’ “Immortal,” Carolyn Carr’s Old/New South at Jackson Fine Art (0)
- 24: Review: Hot Baroque sizzle from Julie Andrijeski and Atlanta Baroque Orchestra (3)
- 23: Review: Cosmic themes in paintings by Xie Caomin at MOCA GA, Maurice Clifford at TULA (0)
- 23: Atlanta Symphony review: A new fanfare and brilliant springtime rarities from Rachmaninoff and Britten (4)
- 22: Review: Puppets gone wild at Horizon Theatre’s “Avenue Q” (0)
- 21: Review: Zoetic Dance’s watery “Catch & Release” at Centennial Olympic Park (2)
- 20: Review: Xperimental Puppetry Theater brings puppets into crass and bleak modern world (2)
- 20: Houston curator Valerie Cassel Oliver on Atlanta, Driskell Prize, “Atlanta Art Now” (3)
- 20: Cecylia Arzewski, former ASO violinist, brings a lifetime of Bach to Spivey Hall (0)
- 19: Breaking news: Atlanta Mayor Reed has epiphany, restores city arts funding (3)
- 18: Breaking news: Westside gets Fine Arts Workshop, community center, new Fay Gold Gallery (4)
- 18: Review: Burn your draft card, let the sun shine in and all the rest as “Hair” returns to Fox (2)
- 18: Breaking news: ASO trumpet player Thomas Hooten awarded first Reeder Chair and cash prize (6)
- 17: In defense of the strong 2011 Atlanta Jazz Festival, coming Memorial Day weekend (0)
- 17: Theater review: Fabrefaction brings Chekhov alive in “The Seagull” (2)
- 16: Actor’s Express review: Star-crossed Oscar and Bosie, sharply etched in David Hare’s “Judas Kiss” (0)
- 16: Art review: Alex Kvares and Mark Hosford, two “Sasnaks,” mix raunch, gore and elegance at Beep Beep (0)
- 16: Review: Technology’s rise, America’s fall in Gary Shteyngart’s “Super Sad True Love Story” (2)
- 16: Theater review: At True Colors, Kenny Leon and Jasmine Guy spar in Sam Shephard’s “Fool for Love” (0)
- 14: Review: Atlanta Ballet’s uneven “Ignition,” a trio of world premieres (0)
- 13: Art review: Nancy Baker, Mark Bercier, Joanne Mattera at Marcia Wood Gallery (0)
- 13: Atlanta Symphony review: Smashing debuts from violinist Augustin Hadelich and conductor Kazushi Ono (4)
- 12: Breaking news: “Atlanta Art Now” names artists and themes featured in inaugural volume (6)
- 12: Atlanta Symphony and gloATL play detectives in Lemony Snicket’s “The Composer Is Dead” (1)
- 11: Review: Danielle Roney explores psyche in digital age in Kiang Gallery’s “On the Edge of Self” (1)
- 10: Review: Maurice Clifford’s paintings challenge conventions of reality and illusion in “Beyond Words” (5)
- 09: Reviews: Atlanta Opera’s “Bon Appetit!” and Pierre-Laurent Aimard at Spivey Hall (0)
- 09: Breaking news: Finalists for “Elevate/Art Above Underground”; MINT’s new program “Leap Year” (2)
- 08: ArtsCriticATL’s Fox and Lerner to talk shop at Museum of Design (0)
- 07: Breaking news: Cobb Symphony drops “Cobb,” in name and attitude (1)
- 06: Review: Daniel Minter at Hammonds House and Lucha Rodriguez at Kai Lin (1)
- 05: A busy weekend ahead for Atlanta dance (0)
- 05: Review: Charlie Brouwer’s “Rise Up Atlanta” enlivens Freedom Park (2)
- 05: Breaking news: Atlanta Opera taps local talent for first commission, on “Br’er Rabbit” (3)
- April 2011 (41)
- 29: Meet Brett Abbott, the High Museum’s new photography curator (1)
- 29: Dance review: Lauri Stallings’ gloATL premieres “Chapter III: This Is a World” (1)
- 29: Atlanta Symphony review: Death (and life) examined in a unique evening (2)
- 28: Racing forward, Dallas Opera holds many lessons for Atlanta (1)
- 27: Five reasons to attend the 35th annual Atlanta Film Festival (0)
- 27: Review: Jessica Jackson Hutchins and John Heward challenge expectations at the Contemporary (0)
- 26: Review and lecture: JoAnne Paschall to speak about Nexus Press at Spruill Gallery’s “Out of Print” (2)
- 25: Book review: A husband’s loss of speech redefines a marriage in Diane Ackerman’s “One Hundred Names for Love” (0)
- 25: Review: Out of Hand Theater tests Atlanta’s “Group Intelligence” in Woodruff Park (0)
- 24: R.I.P. Peter Lieberson: The composer in conversation before the ASO performed “Neruda Songs” (2)
- 24: Review and filmmaker talk: Harry Shearer’s “The Big Uneasy,” of broken levees and civic outrage (1)
- 22: Atlanta Symphony review: More mild than dazzling in Romantic classics (1)
- 21: Alliance Theatre review: Tracy Letts’ prize-winning “August: Osage County,” with top local actors spewing venom (1)
- 21: Dance news: gloATL finds permanent home, announces collaboration with ASO’s Spano (0)
- 20: Review: Photographer John Folsom’s spooky Southern landscapes at Marietta/Cobb Museum (0)
- 19: Review: Modern Atlanta Dance Festival surveys delightful, disciplined local scene (1)
- 17: Review: More is more in “Still.Life” at Jennifer Schwartz Gallery (1)
- 15: Review: Alejandro Aguilera blends Afro-Cuban heritage, modernism at Saltworks (0)
- 15: Film reviews: Women on the verge in “Poetry,” a Korean masterpiece, and “Potiche,” a French farce (1)
- 15: Atlanta Symphony review: A star violinist is discovered, a young conductor makes his mark (4)
- 14: Lauri Stallings and gloATL prepare “Chapter III,” revealing the bare truth (0)
- 14: Film review: The heart-wrenching tales of talking dummies in “Dumbstruck” (1)
- 13: Atlanta Opera review: Mozart’s “Così fan tutte” and the joys of lovely young singers (0)
- 13: Piedmont Park expansion opens, adds sense of escape into nature (11)
- 12: Breaking news: Forward Arts Foundation announces Emerging Artist Award winner (1)
- 12: Coming up: Martin Parr, Global Africa Project, Poems on Demand, ladder lending (1)
- 11: Art review: Craig Dongoski draws sound in “Attack/Decay/Sustain/Release” at Whitespace (0)
- 10: Jeffrey Small’s thriller “The Breath of God” treks from Atlanta to India in search of Jesus (2)
- 10: Review: Photographer Laura Noel, at Hagedorn Foundation Gallery, perfects the sideways glance (3)
- 09: Breaking news: WonderRoot expands into dance with “Magnetic Drift” (2)
- 09: Review: Amusing “Forbidden Broadway Greatest Hits” at Georgia Ensemble Theater (0)
- 08: Breaking news: High Museum commissions works by international design firms Joris Laarman Lab and nendo (1)
- 07: Theater review: Kendeda finalist returns to Alliance to sing “Spoon Lake Blues” (0)
- 06: Are there too many arts organizations? Atlanta theater directors argue their case (4)
- 06: George Trakas conserves Emory’s “Source Route,” talks of his work as a land artist (3)
- 05: Review: Jonah Bokaer merges dance and technology in “FILTER” and “REPLICA” (4)
- 03: Review: Carlos permanent collection in “Divine Intervention,” “Monsters, Demons & Winged Beasts” (0)
- 02: Breaking news: Museum of Contemporary Art of Georgia announces winners of Working Artist Project grants (1)
- 01: Atlanta Symphony review: Abbado and Serkin sing with the birds in Bartok concerto (1)
- 01: Breaking news: High to exhibit artists from Museum of Contemporary Art of Georgia (6)
- 01: Kennesaw State hosts new-music festival, including Eighth Blackbird for a Nico Muhly premiere (0)
- March 2011 (46)
- 31: Review: A loquacious “Race*Sex*Politics*Religion … What not to talk about” at Emory’s Visual Arts Gallery (6)
- 29: Art review: Meta Gary’s elusive paintings shine in “Animal Instinct” at Emily Amy Gallery (0)
- 28: Theater Emory’s “Brave New Works” puts local and national playwrights together with students (0)
- 28: ASO this week: Double bassist Michael Kurth composes a new fanfare (0)
- 28: Art review: Dreams of Californication in Sharon Shapiro’s solo show at {Poem88} (3)
- 27: Atlanta Opera to end season with Mozart’s “Così fan tutte” and a happy balance sheet (0)
- 26: Review: Trio of choreographers enlivens Atlanta Ballet’s “Fusion” (3)
- 26: A conversation with Tarik O’Regan on his stirring “Triptych,” in a free Emory concert (0)
- 25: Conversation at Emory: Rita Dove, Alvin Singleton and Robert Spano on the pleasures of artistic collaboration (0)
- 24: Last chance: Closing reception for Kibbee Gallery’s “Grok,” with Tim Flowers, Miriam Karp, Iman Person (0)
- 23: Theater review: “See What I Wanna See” delivers on the promise of a musical, at Actor’s Express (0)
- 23: Concert review: Back-to-school night for Bent Frequency (0)
- 23: Review: Exhilarating “Goddess, Lion, Peasant, Priest: Modern and Contemporary Indian Art” at Oglethorpe (0)
- 22: Film Love screens rare Yoko Ono conceptual works, with and without John (1)
- 22: Review: Patdro Harris’ and S. Renee Clark’s “Travelin’ Black” soars on singing at Theatrical Outfit (0)
- 22: Art review: Rich but overwrought “Contemporary Figure” at Swan Coach House Gallery (0)
- 21: From starship captain to civil rights hero, Avery Brooks plays Paul Robeson at Georgia Shakespeare (0)
- 21: Atlanta Ballet prepares world premiere of Christopher Hampson’s “Rite of Spring” (1)
- 20: Review: Museum of Design opens sleek space in Perkins+Will’s glorious new headquarters with Italian motorcycle show (8)
- 18: Breaking news: Hilary Hahn and Valentina Lisitsa to play benefit concert for Japan at Spivey Hall (2)
- 18: Theater review: Surprisingly fresh, “A Chorus Line” plays this weekend at Cobb Energy Centre (0)
- 18: Art review: Frances Barth, Mernet Larsen play spatial tricks at Marcia Wood Gallery (0)
- 18: Atlanta Symphony review: Brilliant Mozart from Jonathan Biss and a young maestro to watch (1)
- 17: Concert review: Sonic Generator goes to extremes with Philip Glass, Milton Babbitt and a robot musician (0)
- 16: Art review: Fire-tested bottle-cap master, Mr. Imagination, shines at Barbara Archer Gallery (0)
- 15: Atlanta Ballet and Twyla Tharp will collaborate on new work for 2012 (0)
- 15: Theater review: PushPush bundles life’s insecurities into “101 Humiliating Stories” at 7 Stages (0)
- 14: Jonah Bokaer’s “FILTER,” merging the live and online worlds in Georgia Tech’s ARTech (0)
- 14: Review: Gyun Hur’s handsome “Spring Hiatus,” at Lenox Square, accents the “public” in public art (1)
- 14: Paul Taylor Dance Company brings classics and a curious new work to the Rialto (0)
- 13: The busy week ahead: Talks, tours and public art (0)
- 12: Breaking news: Robert Spano named music director of Aspen Music Festival and School (2)
- 11: Art review: Corrine Colarusso’s “re-enchantment of painting” at Sandler Hudson Gallery (0)
- 11: Will Salman Rushdie leave Emory? Answer may hinge on upcoming memoir (1)
- 10: Review: Lillian Hellman’s “Little Foxes,” as relevant as ever at Marietta’s Theatre in the Square (0)
- 09: Review: A powerful Bach B-minor Mass from New Trinity Baroque and Georgia Tech Chamber Choir (5)
- 09: Art review: Engaging “Align” at Spruill Gallery draws a multimedia bead on line (1)
- 07: Theater review: “Exit, Pursued by a Bear,” Synchronicity’s dark and campy comedy of domestic abuse (0)
- 07: Upcoming talks: Architect Philip Freelon, photographer Abelardo Morell (0)
- 07: Author appearance: New York Times’ Kim Severson on her memoir “Spoon Fed” and her move to Atlanta (0)
- 05: Ballethnic Dance adapts Pearl Cleage’s play “Flyin’ West” to ballet (0)
- 05: Atlanta Jazz Festival announces 2011 season, which boasts “best lineup in years” (1)
- 03: This weekend: Public art, tours and talks (0)
- 02: Breaking news: High announces Driskell Prize; Bascom names new director (0)
- 01: DecaturDocs film fest finale: Frederick Wiseman’s “Boxing Gym,” of poetry, humanity and the workout (0)
- 01: Breaking news: High plans shows of African-American masters; solos of Atlanta artists at High and MOCA GA (4)
- February 2011 (42)
- 28: Art review: Scott Belville’s compelling mysteries tantalize at MOCA GA (1)
- 28: Review: Atlanta Opera returns to its native strength in “Porgy and Bess” (6)
- 28: Theater review: Alliance’s Kendeda winner, David Mitchell Robinson’s deftly drawn “Carapace” (2)
- 26: Atlanta Symphony review: Golijov, Piazzolla and Nadja in a memorable concert (3)
- 25: Steve Murray’s picks: Will Oscar reward smart “Social Network” or sappy “King’s Speech”? (2)
- 25: Breaking news: $1.5 million for ASO and High; Atlanta Opera “here to stay” with $9 million from benefactor (3)
- 24: Recording review: Atlanta Symphony launches ASO Media with winning Higdon and Gandolfi (0)
- 23: Review: Wynton Marsalis and Jazz at Lincoln Center Orchestra play to the Peanut Gallery (0)
- 23: Art review: “My sweet, sweet,” a funny, icky, outstanding show at Agnes Scott (0)
- 22: Recital review: Mezzo Joyce DiDonato wows Spivey Hall audience (0)
- 22: Review: “Invisible Body, Conspicuous Mind” features Romanian contemporary art, at Kennesaw (1)
- 20: Photography review: “Henri Cartier-Bresson: The Modern Century,” major retrospective at High Museum (2)
- 20: Interview: Sarah Thornton, who penned “Seven Days in the Art World,” speaks at SCAD’s “deFINE ART” (1)
- 18: Art review: Chelsea Raflo, Chris Hamersly explore relationships in “Coeducation” at MINT (3)
- 18: Review: The Great War and old souls in “A November Day” at Center for Puppetry Arts (2)
- 18: Concert review: Dutch master makes his Atlanta Symphony debut, whips up a magnificent frenzy (3)
- 17: Art review: “. . . After the Suburbs” at Kiang Gallery a trenchant look at the nature/culture divide (5)
- 16: Review and interview: “I love you” as a political statement in Palestinian doctor’s memoir, “I Shall Not Hate” (0)
- 16: Kansas diva Joyce DiDonato crosses genders and returns to Spivey Hall (0)
- 16: Coming up: Talks by curators, artists, architect, video screenings and panel discussions (1)
- 15: Preview: Historic Fourth Ward Park, an exemplary greenspace courtesy of Atlanta BeltLine Inc. (23)
- 15: Reviews: Enthralling Wu Man and Taipei Orchestra at Emory; jazz trumpeter Jon Faddis at Ferst (0)
- 14: Review: Spelman’s “Constant Triumph” surveys IngridMwangiRobertHutter, provokes (0)
- 12: Review: 7 Stages sinks its teeth into Rob Thompson’s rock opera “Haus von Dracul” (0)
- 12: Review: Atlanta Ballet’s “Sleeping Beauty,” a vivid remake of the Russian classic (0)
- 11: Critic’s pick: Handicapping the 10 Oscar short film nominees, including a few treasures (1)
- 11: Interview: Michael Scoggins on childhood, language, art and “Family Values” at Saltworks (0)
- 10: Classical weekend: Atlanta Baroque’s new artistic director, Emory gamelan and John Adams on stage and screen (0)
- 08: Events and information: Wojnarowicz’s “A Fire in My Belly,” public art proposal deadlines, and more (0)
- 08: Critic’s pick: Atlanta Jewish Film Festival opens tonight, brings gems and rarities (0)
- 07: Review: High’s “Toulouse-Lautrec & Friends” celebrates artist’s innovations and a major gift (0)
- 05: Review: “This Is a World,” from Lauri Stallings and gloATL, searches for emotional connections (0)
- 05: Review and author appearance: Dolen Perkins-Valdez’s novel “Wench,” on the chains of sexual slavery (0)
- 04: Interview: Emory’s Joseph Skibell on writing, family and his new novel, “A Curable Romantic” (1)
- 04: Review: Photographers David Walter Banks, Kendrick Brinson explore “Escape” at Jennifer Schwartz Gallery (0)
- 04: Atlanta Symphony review: Mozart and a world premiere, but Coucheron’s Bach steals the show (1)
- 03: Breaking news: Atlanta Contemporary Art Center announces 2011 Nexus Award (10)
- 03: Review: Elastic medium of printmaking takes center stage at Get This! and Chastain (2)
- 02: Atlanta Opera’s 2011-12 season highlighted by new version of Willy Wonka’s magical Chocolate Factory (1)
- 01: Coming up: Mark Dion, IngridMwangiRobertHutter performance, Art Papers auction and more (3)
- 01: Slavery helped build Emory; now it explores that history with “Slavery and the University” (2)
- 01: Lauri Stallings’ and gloATL’s “This Is a World” upsets expectations with seats, tickets and a stage (4)
- January 2011 (47)
- 30: Breaking news: Dorian McDuffie takes over Fulton public art program; information on new commission opportunities (1)
- 30: Atlanta Symphony review: Runnicles’ emotional Bruckner and a jolly Mozart concerto with Spano (0)
- 30: Theater review: Alliance might have Broadway hit with sassy and clever “Bring It On” (6)
- 29: Theater review: Kenny Leon directs big-hearted “Broke-ology” at True Colors (0)
- 29: Review: A lively “Movers & Shakers” at the Museum of Contemporary Art of Georgia (0)
- 28: Review: Intoxicating glamour from Elliott Erwitt and Todd Selby, unexpected bedfellows at Jackson Fine Art (0)
- 28: Theater review: Theatrical Outfit finally brings Horton Foote’s “Young Man From Atlanta” to Atlanta (0)
- 27: Spano and Runnicles celebrate their partnership with Mozart, a world premiere (and don’t forget Bruckner) (0)
- 26: Modern Atlanta Dance Festival will offer new works and a few surprises (1)
- 26: Review: New “killer” Broadway production of “West Side Story” at Fox Theatre (2)
- 26: Review: JuYeon Kim show is “In-Between” at ACA Gallery of SCAD — but not close enough (0)
- 25: Concert review: Sonic Generator reflects on today’s society with “open score” music (1)
- 24: Plan ahead for Laurie Anderson, Dawoud Bey, big-box redos, Florentine monasteries and more (1)
- 24: Concert reviews: Bach from Arzewski; Beethoven from Krueger and Henry (0)
- 23: Review: “Dana Schutz: Drawings and Prints” and “Embodying” bring art to savor to the Contemporary (1)
- 23: Theater review: California malcontents rage and stew in PushPush’s “Borderline” (5)
- 21: Decatur Docs, a new film series, screens “Hey, Boo: Harper Lee & To Kill a Mockingbird” (1)
- 21: Film review: Shaggy Englishmen and stiff-upper-lipped canines in “My Dog Tulip” (0)
- 21: Review: Mary Engel follows fruitful new path in solo show at Marcia Wood Gallery (0)
- 21: Atlanta Symphony review: Runnicles leads a gripping, helter-skelter “Missa Solemnis” (1)
- 20: Review: Nature is disturbing, beautiful in Joe Walters’ impeccably crafted sculptures at Solomon Projects (0)
- 20: Review: Hilarious, cleverly staged “39 Steps” at Marietta’s Theatre in the Square (0)
- 20: For many local music fans, home is where the jazz is (1)
- 19: Beethoven’s “Missa Solemnis” and the power of myth come to Symphony Hall (1)
- 19: Breaking news: Atlanta Symphony receives $1.85 million gift and a special musicians’ award (3)
- 18: Step Afrika! comes to Ferst Center, pushing African-American dance to its limits (0)
- 17: At Georgia Tech: Brad Cloepfil talk, a new appointment and the fabulous Hinman rehab (3)
- 17: Review: Aurora Theatre offers love among the ruins with “Sirens” (0)
- 17: Concert review: Atlanta Chamber Players crowns 2011 national “Rapido!” winner (0)
- 16: Theater review: Rocking out with the devil in “Broadsword,” a heavy-metal thriller at Actor’s Express (3)
- 16: Review: Cobb Symphony delivers sparkling Ravel and an engaging world premiere (0)
- 15: The naked genius of Gypsy Rose Lee, burlesque star and brain teaser (2)
- 15: Review: Architecture takes its lumps in Katie Bollman Walker and John Lehr photos at Hagedorn gallery (0)
- 14: Blue Man Group, where wacko weirdness goes mainstream, at Fox Theatre (0)
- 14: Review: Wendy Given’s dark and beguiling fairy tales at Whitespace (1)
- 12: Scribe Sisters: Atlanta’s “literary sorority” graces February’s Vanity Fair (1)
- 12: Breaking news: Ice cancels Atlanta Symphony’s “King Celebration,” postpones Alliance’s “Bring It On” opening (0)
- 10: Jazz CD review: With “Inner Peace,” Albert Rivera helps define Atlanta’s Turnaround Records (0)
- 10: Review: “As the Sycamore Grows,” a gothic portrait of abuse and rebirth in the Tennessee woods (0)
- 08: Coming to the Rialto: Urban Bush Women founder Jawole Willa Jo Zollar refuses to stay put (2)
- 07: Atlanta Symphony review: Hungarian Gypsies, two soloists and a world premiere (3)
- 06: Artist opportunities: MOCA GA’s Working Artist Project, exhibit at ATHICA, art/science project at Emory (1)
- 06: This weekend: Ponce Crush, the Contemporary, the High (1)
- 05: Breaking news: “Atlanta Art Now,” an upcoming book celebrating the local visual arts scene (3)
- 04: “Peter Pan,” coming to downtown, fuses film and live theater under a giant tent (0)
- 03: Why “The Fighter” feels like every boxing and brothers movie ever made — and might top them all (0)
- 02: On view: Rocio Rodriguez at Barbara Archer Gallery, Charlotte Riley-Webb at Hammonds House (0)
- December 2010 (36)
- 29: Best of Atlanta theater 2010: Bacon, bugs, slippery floors and a peek into 2011 (1)
- 29: Winners, and answers, in our Cirque du Soleil “Ovo” ticket contest (0)
- 27: Breaking news: Win free tickets to Cirque du Soleil’s “Ovo” from ArtsCriticATL (0)
- 27: Looking back at 2010: Visual arts scene strengthened as a community and advanced the conversation (2)
- 23: A new era for High Museum’s town-gown relationship? Ask WonderRoot (7)
- 23: Kennesaw State’s Symphony Orchestra set to tour China with music by Chen Yi (2)
- 22: Looking back on Atlanta’s classical music year 2010 (1)
- 21: Atlanta dance in 2010: A year of highlights, controversy and a vibrant local scene (3)
- 21: Breaking news: Thornton Dial retrospective coming to High Museum (0)
- 19: Review: Brian Dettmer digs deep in altered books at Saltworks (2)
- 17: Film review: Claire Denis’ spellbinding “White Material,” one of the best movies of the year (0)
- 16: Film review: Jim Carrey and Ewan McGregor, a new Hollywood romantic couple, in “I Love You Phillip Morris” (0)
- 16: Breaking news: Idea Capital announces grants to eight Atlanta artists (0)
- 16: New Orleans’ Preservation Hall Jazz Band in a classic “Creole Christmas” in classical Symphony Hall (0)
- 15: Review: Charles Keiger’s Southern surrealism at Tew Galleries (1)
- 13: Review: All shine in show of Hudgens Prize finalists (0)
- 10: Cookbook review: Over an Atlanta meal, David Tanis talks about “Heart of the Artichoke” (0)
- 10: Atlanta Symphony review: The many moods of “Christmas With the ASO” (4)
- 10: Eyes on how to use the prize: Gyun Hur talks about her Hudgens Prize windfall (3)
- 09: Breaking news: Loridans Foundation awards $444,500 to arts organizations (1)
- 09: Theater review: Georgia Shakespeare shoots a bull’s eye in “A Christmas Story” (1)
- 08: News briefs and upcoming lectures: Locke, Ditzler, Steinmetz, ACP, Nexus Award (2)
- 07: Review: French jazz pianist Baptiste Trotignon, an impressionist of soul, at Spivey Hall (5)
- 07: Review: Science, art and lessons about both in Lynne Moody’s exhibits at Fernbank (0)
- 07: Review: Atlanta Ballet’s revamped “Nutcracker,” fewer children on stage, a more polished production (0)
- 07: DVD opera review: Bertolt Brecht and Kurt Weill’s “Mahagonny” from James Levine and the Met (0)
- 06: Theater review: Actor’s Express’ “Every Christmas Story Ever Told,” where satire devours itself (0)
- 06: Book review and author talk: Tears flow in Anita Shreve’s “Rescue” (0)
- 05: Review: Marcus Kenney pulls out the stops, and animal heads, at Marcia Wood Gallery (0)
- 04: Theater review: Alliance Theatre keeps surprises low but spirits high with its 21st “Christmas Carol” (2)
- 04: Atlanta Symphony review: Mackenzie and chorus excel in Handel’s “Messiah,” with complications (1)
- 03: Film review: Lena Dunham, rising filmmaker, coddles her own youth in “Tiny Furniture” (0)
- 03: Art Basel Miami Beach, Day 3: Art food, Latin photos and a stealth fair, by Catherine Fox and Rebecca Dimling Cochran (1)
- 03: Breaking news: High Museum names new photography curator (1)
- 02: Art Basel Miami Beach, Day 2: Fair opens with uneven quality — some treasures, some trash (1)
- 01: Art Basel Miami Beach, Day 1: New private collection debuts, by Catherine Fox and Rebecca Dimling Cochran (0)
- November 2010 (45)
- 30: Breaking news: And the winner of the $50,000 Hudgens Prize is … (3)
- 30: Breaking news: Major personnel change at Atlanta Symphony (9)
- 30: Luminocity’s “Hinterland”: A photo gallery (8)
- 29: ArtsCriticATL heads to Art Basel Miami Beach (0)
- 28: “Hinterland” review: Big Boi, gloATL, giant crowds and an exuberant spectacle downtown (6)
- 28: This weekend: Symposium on BeltLine and Le Grand Paris; Atlanta Printmaking Studio open house (0)
- 24: Review: Kathryn Refi’s intriguing about-face at Solomon Projects (0)
- 23: Review: Jason Butcher, Joe Tsambiras animate “Restless Devices” at Beep Beep Gallery (0)
- 23: True Colors Theatre revives Langston Hughes’ “Black Nativity,” a Suzi Bass Award winner (0)
- 22: Concert review: Spivey Hall finally unveils top-secret “Project Jupiter” (3)
- 22: Review: John McLaughlin and his jazz fusion 4th Dimension rock out at Rialto (3)
- 21: Lauri Stallings and Big Boi’s “Hinterland,” healing the Balkanization of downtown Atlanta (10)
- 21: Review: CORE reimagines Mayan culture with “Corazon Abriendo” (8)
- 21: When science mates with art: Animations of cells in action give “inner beauty” new meaning (0)
- 19: Atlanta Symphony review: A global look at Spain with Jun Märkl and Ingrid Fliter (0)
- 19: Review: Last chance to see emerging artists Kelly O’Brien, Sam Parker and Nikki Starz at Kibbee Gallery (0)
- 19: Film review: “Waste Land,” deeply moving, finds art and dignity among Brazil’s poorest (0)
- 17: Upcoming events: New York dealer Ronald Feldman, Marina Abramović and more (2)
- 17: Book review and author talk: Salman Rushdie’s “Luka and the Fire of Life,” a magical, hollow fantasy (2)
- 16: Breaking news: Atlanta Symphony forms its own record label, plans three initial releases (6)
- 15: Concert review: Serious Shostakovich from Riverside Chamber Players, and a world premiere (0)
- 13: Review: “Blackbird,” a story of unspeakable pain, a major work from Brooks and Company Dance (1)
- 13: Star-powered Marcus Book Festival brings Pat Conroy, Gene Wilder to varied program (0)
- 12: Atlanta Symphony review: Haydn among friends and stunning Shostakovich from Hugh Wolff (3)
- 11: Theater review: Second City (mildly) spoofs Atlanta in “Miracle on 1280 Peachtree Street,” at the Alliance (3)
- 11: Film review: The latest Glenn Gould biopic, “Genius Within” finds a vibrant artist aloof from the world (0)
- 11: Jazz bassist John Clayton headlines a free show tonight at Emory’s Schwartz Center (0)
- 10: Review: Photographers Angela West and Roger Ballen at Jackson Fine Art, by Jason Francisco (2)
- 09: Breaking news: Winners of Suzi Bass Awards for Atlanta-area theater announced (0)
- 09: Breaking news: Winners of “Playable10″ playground design competition announced (6)
- 09: Review: photographs by Angela West and Roger Ballen at Jackson Fine Art, by Jason Francisco (0)
- 09: Review: Series showcases maturing of Dance Canvas and the choreographers it nurtures (0)
- 07: Review: Pinch n’ Ouch Theatre continues debut season with Kenneth Lonergan’s “Lobby Hero” (0)
- 06: Review: “For Colored Girls,” Tyler Perry’s best film, an uneasy mix of musical poetry and TV melodrama (0)
- 05: Book review and author talk: Gurcharan Das on India, America and the difficulty of being good (0)
- 05: Review: Cirque du Soleil’s astounding new “Ovo,” at Atlantic Station (0)
- 05: Atlanta Symphony review: Violinist Itzhak Perlman finds his own path as a conductor (4)
- 04: Film review: Stéphane Brizé’s “Mademoiselle Chambon,” a spare, quiet and passionate duet (0)
- 04: Review: Chinese superstar Chi Peng bares a conflicted soul, at Kiang Gallery (1)
- 04: Atlanta Opera whips up a comic Julia Child operetta, “Bon Appetit,” in a benefit tonight (0)
- 03: Review: Iona Rozeal Brown’s “mythological mash-ups” at Saltworks, a bit on Kehinde Wiley, too (0)
- 03: Review: Irving Berlin’s snow globe of a musical, “White Christmas,” opens at the Fox Theatre (0)
- 03: Review: An evening of wonders from Anderszewski and Scottish Chamber Orchestra, at Emory (0)
- 02: Review: Terrorism, apocalypse and food-fight humor at The Contemporary (0)
- 01: This week: Artist talks, fine-art jewelry (0)
- October 2010 (56)
- 31: Carnegie Hall review: Atlanta Symphony and Chorus warm up to deliver searing Janacek Mass (1)
- 31: Ballet Preljocaj embraces Cage-Cunningham legacy with “Empty Moves,” at the Rialto (0)
- 30: Film review: Papa’s princess taking down the Mob in Marco Amenta’s “The Sicilian Girl” (0)
- 29: Review: Titian and Venetian painters revel in sensuality, color and female flesh, at the High Museum (0)
- 28: Theater review: Pearl Cleage’s hilarious “Nacirema Society,” like Noel Coward with soul, at the Alliance (0)
- 28: Film review: Violent and sleek, “Girl Who Kicked the Hornet’s Nest” completes Stieg Larsson trilogy (0)
- 28: Classical weekend: Reviving the ghost of a great flutist, sublime Mozart and energized Vivaldi (1)
- 28: Photography review: Essick at Lumiere and four artists at Get This! ply different roads (1)
- 27: Review: Evocative photos by Julie Sims and Yukari Umekawa explore inner worlds, at Whitespace (0)
- 26: Ready to hear something groovy: Meet H. Johnson, celebrating 30 years of WABE’s “Jazz Classics” (2)
- 26: Theater review: Actor’s Express wears its “Albatross” well in Lee Nowell’s world premiere (0)
- 25: Jazz review: Tenor sax master Joshua Redman and his trio at Spivey Hall, rocking out from bebop to Coldplay (0)
- 25: Coming up: “Sexy” engineering film, deliberately ordinary theater and an artist as mad scientist (0)
- 25: Theater review: Teen actors turn in sharp performances for Synchronicity’s “Storytelling Ability of a Boy” (0)
- 25: Recital review: Soprano Measha Brueggergosman, touring her new CD, at Kennesaw’s Bailey Center (1)
- 24: Review: Atlanta Ballet’s “Moulin Rouge” captures Paris with brilliance and can-can (1)
- 24: In the news: American art acquisitions at High, Monica Cook animation at Guggenheim (2)
- 22: Film review: Clint Eastwood’s “Hereafter,” juicy roles, life-and-death scenes, D.O.A. drama (0)
- 22: Concert review: White-hot Atlanta Symphony & Chorus ready for Carnegie Hall (1)
- 22: Review: Katherine Taylor’s thoughtful, handsome paintings at Marietta/Cobb Museum (0)
- 21: At Manuel’s Tavern: George Dawes Green on reading books, “The Moth” and new Unchained Tour (0)
- 21: We recommend: Upcoming arts events in our town (0)
- 20: Review: “POST-her” subversive portraits at Jackson Fine Art, by Rebecca Dimling Cochran (0)
- 19: Concert review: NeoPhonia poses the hard question — how good are Atlanta’s composers? (5)
- 19: Atlanta Symphony’s supreme chorus turns 40, celebrates with Janacek’s “Glagolitic Mass” (1)
- 19: Review: Glorious 19th-century drawings from Schlossberg Collection, at Oglethorpe (4)
- 18: New lecture series at The Contemporary debuts with Nato Thompson of Creative Time (0)
- 18: Concert review: Atlanta Chamber Players name regional winner in “Rapido!” composition contest (2)
- 18: Atlanta Ballet’s Southeastern premiere of “Moulin Rouge® — The Ballet” (and don’t mess with that trademark!) (1)
- 17: Concert review: Runnicles returns Atlanta Symphony to Old Vienna, at its darkest (0)
- 15: Emerging artist Margaret Fletcher finds her way to an impressive debut (0)
- 14: Film review: Godard’s French New Wave masterpiece “Breathless,” so cool, returns to the big screen (0)
- 14: Downtown Atlanta gets East Coast premiere of “Peter Pan,” a multimedia spectacle under the big tent (0)
- 14: A weekend of classical highlights: Donald Runnicles’ first ASO concert of the season and much more (0)
- 13: Celebrating Raymond Andrews: A forgotten black writer’s tales of rural Georgia, witty and vital (1)
- 13: At Ferst Center, Diavolo’s “Fearful Symmetries” explores sculpture and architecture of dance (0)
- 13: Review: Chris Verene’s piercing, important “Family” at Marcia Wood Gallery, by Jason Francisco (2)
- 12: Spoiled for choice: Six artist lectures on the same night, October 14 (0)
- 11: Review: Kristofer Laméy’s precision engineering and poetic license at MODA, by Jonathan Lerner (6)
- 10: Concert reviews: Exciting new music from Sonic Generator and NYC composer Nathan Davis at Eyedrum (1)
- 08: Dalí’s “Persistence of Memory,” Koons and “The Surrealist Conspiracy” at High Museum (2)
- 08: Film review: Iconic “Metropolis” returns with newly discovered footage, more brilliant than ever (1)
- 08: Book review: Joseph Dabney cooks his way through melting pot of Lowcountry cuisine (3)
- 07: Review: Poetic conceptualism pervades work by Atlanta artists in “Quadrennial” at Agnes Scott (1)
- 07: Theater review: Entertainment and racial identity fire “Sammy & Me,” a mini-triumph at Alliance’s Hertz Stage (3)
- 06: News and events: New gallery director and “Spirited Calligraphy” at GSU; “Hysterical” performance at Emory (0)
- 05: Theater review: “Anne of the Thousand Days” plays alongside Shakespeare Tavern’s “Henry VIII” (0)
- 05: An interview with the Met’s Peter Gelb on HD Opera Broadcasts and their effects on Atlanta Opera (1)
- 05: Review: Michael David Murphy explores instability of photographic truth in smart solo at Spruill, by Jason Francisco (1)
- 03: Theater review: Kenny Leon’s True Colors premieres “Gut Bucket Blues,” a rich musical about blues diva Bessie Smith (2)
- 03: Opera review: David Gately directs a plausible “La Bohème” to open Atlanta Opera season (6)
- 03: Film review: Geeky Facebook founder a Shakespearean villain in “The Social Network” — believe the hype (0)
- 02: Festival review: FLUX 2010, a one-night triumph of art, spectacle and amusement (7)
- 02: Film review: Matt Reeves’ “Let Me In,” a remake, sinks its teeth into vampire craze (0)
- 01: Georgia Shakespeare’s new version of “The Odyssey” honors soldiers home from Troy, Iraq and Afghanistan (1)
- 01: Review: Giving up on life after death in “Conversations With My Wife” at Theatre in the Square (0)
- September 2010 (41)
- 30: Theater review: Dunwoody Stage Door Players shine in regional premiere of genuinely farcical “Unnecessary Farce” (0)
- 29: The incredibly busy week ahead: Art, film, FLUX, performance, lectures (2)
- 29: Breaking news: Lost and unusual Holocaust music manuscripts donated to Emory Library (0)
- 29: Another Atlanta Symphony week, another world premiere fanfare: Adam Schoenberg’s “Up!” (1)
- 28: Review: Ann-Marie Manker’s birthday parties and suicide bombers score bull’s-eye at Whitespace (0)
- 27: Concert reviews: Takács Quartet at Spivey Hall and pianist Orion Weiss at Bailey Center (0)
- 27: Breaking: Lauri Stallings’ gloATL and Big Boi team up for “Hinterland,” roaming the streets of downtown (1)
- 27: Book review: Jonathan Safran Foer’s “Eating Animals,” a vegetarian’s take on factory farms, now in paperback (3)
- 27: Review: Recent public art projects, from street art and guerrilla acts to video projections and performance (4)
- 26: Review: “Night Blooms,” funny, complex and touching, gets world premiere from Horizon Theatre (3)
- 25: Dance review: Staibdance in concert with the Vega Quartet and William Ransom at Emory (1)
- 24: Concert review: Opening night at the Atlanta Symphony shines with a magical fanfare (2)
- 23: Film review: Joyous comedy on seduction and true love, “Heartbreaker” could only be French (0)
- 22: Breaking news: Atlanta to get its own arts and theater Fringe Festival in August 2011 (0)
- 22: Review: Jennifer Cawley’s wonderfully strange and familiar paintings at Emily Amy Gallery (4)
- 21: A conversation with Robert Spano, set to open his 10th season as Atlanta Symphony music director (0)
- 20: Breaking news: Ron Labaco, curator of decorative arts and design, leaving High Museum (11)
- 20: Review: Nearing completion of the Bard’s canon, Shakespeare Tavern mounts the rare “Henry VIII” (0)
- 20: Review: The political is personal and vice versa in McCallum and Tarry’s “Evenly Yoked” at Spelman (0)
- 19: Review: The Sartorialist knows that clothes make the man/woman, at Hagedorn Gallery (1)
- 19: Film review: The epic ambiguity and cinematic genius of Matthew Barney’s Cremaster Cycle (1)
- 18: Possible Futures foundation awards $90,000 in grants for arts criticism (9)
- 18: Concert review: Bent Frequency samples new music from sister cities Atlanta and Nuremberg (1)
- 18: High Museum gives Georgia artists’ works to Museum of Contemporary Art of Georgia (2)
- 17: Dance review: Blake Beckham wrestles with “American Muscle” at Eyedrum (0)
- 17: Theater review: Alliance’s big musical “Twist,” upgraded, ambitious, dazzling and overstuffed (6)
- 17: This weekend: Public art projects, special exhibitions and more (0)
- 16: Big breaking news: Finalists announced for $50,000 Hudgens Prize for a Georgia artist (4)
- 14: Opera review: Kirke Mechem’s clever “Tartuffe” gets a winning show from Capitol City Opera (1)
- 14: Diana DeGarmo, the hardest working girl from Snellville, returns for “9 to 5: The Musical” at Fox Theatre (3)
- 13: Recital review: Timothy Albrecht plays “B.A.C.H. Live” on Emory’s handsome Jaeckel organ (0)
- 13: Our own Steve Murray, noted playwright, wins Tanne Foundation award for artistic achievement (2)
- 13: Charismatic tap dancer Jared Grimes moves like a new Fred Astaire in Alliance Theatre’s “Twist” (1)
- 12: Explore world cultures: Nepalese crafts at Kennesaw and Islamic calligraphy at Carlos (0)
- 09: A cautionary tale about Atlanta Opera’s money crisis, spelled out in “The State of the Opera” (0)
- 08: Recital review: A young pianist in Kennesaw, Soohyun Yun, finds her voice in difficult music (0)
- 06: The malaise of fame: Jonathan Franzen reflects on “Freedom” at the Decatur Book Festival (0)
- 02: Film review: Part 2 of the charismatic French gangster flick “Mesrine: Public Enemy #1″ (1)
- 02: Jerusalem report: Artists confront Israel’s complex political and social terrain (6)
- 01: From Vivaldi to Carmen to “Messiah,” meet Atlanta mezzo Magdalena Wór (0)
- 01: Decatur Book Festival prep: Maryn McKenna talks about her “Superbug: The Fatal Menace of MRSA” (0)
- August 2010 (35)
- 31: Breaking news: Jerry Cullum and Lauri Stallings win Emory’s first Creativity & Arts Award (4)
- 30: Review: Another look at the High Museum’s “Salvador Dalí: The Late Work” (1)
- 30: Decatur Book Festival prep: A chat with Lev Grossman about his fantasy novel “The Magicians” (0)
- 30: Theater review: Beauty queens and tomfoolery in “Pageant,” at 14th Street Playhouse (1)
- 29: It’s a down market? Nobody told Atlanta’s jazz musicians, who continue to thrive on CD (3)
- 28: Is it crime? Visual spam? Community catalyst? John Morse’s “Roadside Haiku” raises a flap (5)
- 26: Plan your calendar for massive Decatur Book Festival, coming September 3-5 (0)
- 26: Film review: A French gangster hero comes alive in Jean-François Richet’s “Mesrine: Killer Instinct” (0)
- 25: Book review: Spelman College’s William Jelani Cobb asks what Obama means to black America (0)
- 25: Theater review: The indestructible appeal of “The Sound of Music,” at the Fox Theatre (0)
- 24: Dance Canvas’ fall concert: 10 snapshots of “next generation” choreography (0)
- 23: Proper Medium’s Blake Williams and Flux Projects join forces to take Atlanta public art viral (10)
- 23: CD review: Tristan Perich’s “1-Bit Symphony,” blurring the joys of music and technology (0)
- 22: Alliance Theatre and Debbie Allen prepare “Twist,” a Dickensian life in Jazz Age New Orleans (0)
- 19: Amid budget cuts and departed personnel, Atlanta Opera names Arthur Fagen as music director (1)
- 18: On your mark, get set, go: Composers compete in Atlanta Chamber Players’ “Rapido!,” Year Two (0)
- 17: This weekend, a gallery-a-thon across Atlanta, courtesy of the Atlanta Gallery Association (0)
- 16: Theater review: Tom Key’s version of “A Confederacy of Dunces” a potent comic mix, at Theatrical Outfit (0)
- 16: Breaking news: Jasmine Guy named producing director of Kenny Leon’s True Colors Theatre Company (0)
- 16: Guess who’s back in the fold? Atlanta Symphony gets warm and fuzzy with conductor Yoel Levi (5)
- 16: Jeanette Montgomery Barron’s “My Mother’s Clothes” at Jackson Fine Art, by Alana Wolf (0)
- 15: Jazz concerts on campus: Jon Ross surveys Atlanta’s visiting stars and rising unknowns (0)
- 13: Film review: Gay adoption and tense relationships in Sweden’s “Patrik, Age 1.5″ (0)
- 13: Atlanta Ballet’s bright, eco-friendly new home suits its ambition (1)
- 10: Review: Harrison Keys’ “Pressure Luck” at Get This! Gallery, by Alana Wolf (3)
- 10: Breaking news: Atlanta Baroque Orchestra’s new music director is a violinist … and baroque dancer (0)
- 09: The Falstaff of Southern fiction, the slovenly hero of “A Confederacy of Dunces,” comes to Theatrical Outfit (0)
- 08: Emory announces award for “significant impact in the arts” (0)
- 08: Fiction review: Joshilyn Jackson’s “Backseat Saints,” an abusive marriage and how life shapes it (0)
- 08: Theater review: Aurora’s joyous “Singin’ in the Rain,” almost perfect without breaking a sweat (5)
- 05: Review: Mixing science, religion and showmanship in “Dalí: The Late Work” at the High Museum (1)
- 05: ASO conductor Donald Runnicles and live Web concerts from London (0)
- 04: CD review: Strauss scenes from Christine Brewer and the ASO, knockout Verdi arias from Sondra Radvanovsky (0)
- 04: Film review: Angela Ismailos loves “Great Directors” almost as much as she loves Angela Ismailos (0)
- 03: Old tires morph magically in Chakaia Booker’s “Sustain,” at ACA Gallery of SCAD (1)
- July 2010 (34)
- 28: Breaking news: Cobb Symphony Orchestra looks to “Mad Men” for its new executive director (1)
- 27: Sheila Pree Bright poses provocative questions in “Girls, Grillz and Guns” at Sandler Hudson Gallery (0)
- 26: Dance review: Lauri Stallings’ gloATL dancers “Roem” free at Woodruff Arts Center (2)
- 23: Film review: Ancient settings, modern ideas, strong performances fill “Agora” (1)
- 22: Film review: “Best Worst Movie,” where gingivitis and the fame virus collide (1)
- 22: Eric Waters’ ravaged clarinets distill tragedy of Katrina, at Mason Murer Fine Art (4)
- 22: Book review: Susan Rebecca White’s “A Soft Place to Land” revisits troubled Atlanta elite (0)
- 21: CD and concert review: Atlanta Symphony clarinetist Alcides Rodríguez swings with his native music (1)
- 20: Photographer Dawoud Bey talks about “Class Pictures” and the Emory Project, by Rebecca Dimling Cochran (0)
- 19: Brandon Sadler shows his promise in “Red Dawn” at Wm. Turner Gallery, by Jerry Cullum (2)
- 19: Theater review: The remarkable normalcy of same-sex love in “Shakespeare’s R&J” (0)
- 16: Shana Robbins shows impressive range of skills in solo exhibit at The Contemporary (0)
- 15: Of interest this weekend: Artist talks and a performance during Westside Art Walk (0)
- 14: Shakespeare Tavern goes “over the top” with rock ‘n’ roll “Hamlet” (0)
- 14: Book review & author interview: Disappearing land, vanishing identity for people of coastal Louisiana (0)
- 14: Butterfly beauty in Bill Harbin’s photos at Fernbank, by Jerry Cullum (0)
- 14: Wycliffe Gordon leads live jazz score to 1925 silent film “Body and Soul” at National Black Arts Festival (2)
- 13: A talk with outgoing High Museum photo curator Julian Cox (1)
- 12: Daryl Foster on Atlanta dancers’ dilemma: Should I stay or should I go? (3)
- 12: High Museum show moves Peter Sekaer toward photography canon (0)
- 11: Theater review: Rita Dove’s verse play “The Darker Face of the Earth” at Essential Theatre (2)
- 10: Caroline Lathan-Stiefel and crew make “Seepages” worth a visit, at Whitespace (0)
- 09: Breaking news: Photo curator Julian Cox leaving High Museum (15)
- 09: Tales of the rails: Train culture animates Paper Twins’ BeltLine “Wanderers” (2)
- 08: Film review: Searching for the missing word in James Ivory’s “City of Your Final Destination” (0)
- 08: Film review: Sexy Swedish violence in Stieg Larsson’s “Girl Who Played With Fire,” Part 2 of Millennium Trilogy (1)
- 08: Breaking news: Flux Projects announces 2010-11 programs (5)
- 06: News you can use: Jeff Koons and Kehinde Wiley coming to High Museum (0)
- 05: Preparing for Georgia Shakespeare’s “King Lear,” where each obsession burns in a different way (1)
- 05: Theater review: After 22 years, Horizon’s “Shakin’ the Mess Outta Misery” gets a raucous homecoming (0)
- 05: Georgia Tech profs let you wear your computer on your sleeve, at MODA (0)
- 02: Retelling Oedipus, Rita Dove’s “The Darker Face of the Earth” gets its Atlanta premiere (0)
- 02: Film review: Truth in advertising for Michael Winterbottom’s “The Killer Inside Me” (0)
- 01: Cosmo Whyte displays his technical panache at Swan Coach House Gallery (0)
- June 2010 (34)
- 29: Theater review: “John & Jen,” an al fresco delight for Serenbe Playhouse’s inaugural season (3)
- 27: Theater review: Georgia Shakespeare fights the uphill battle of “Love’s Labour’s Lost” (2)
- 25: Film review: Neil Jordan’s latest, “Ondine,” where supermodels are fished from the sea (0)
- 24: Stephen Hayes makes a stellar debut with “Crash Crop” at Mason Murer Fine Art (0)
- 24: Another BeltLine event: Brooks and Company Dance in “MENT” (0)
- 23: Street art and public space the subject of “Living Walls: The City Speaks,” coming in August (3)
- 22: Cartoonist Mike Luckovich to speak at Breman Museum during “Dr. Seuss Goes to War” (0)
- 22: CD review: “Evidence of Things to Come,” a free-spirited debut from Atlanta sax man Brian Hogans (0)
- 20: Bala Sarasvati’s CORE Concert Dance brings “Coeur de CORE” to Atlanta (0)
- 17: Book review: Bret Easton Ellis’ “Imperial Bedrooms,” where the only thing real is the thing you desire (0)
- 17: Film review: Not exactly a Bond spoof, “OSS 117: Lost in Rio” stars charismatic Jean Dujardin (0)
- 17: High Museum makes a splash with “European Design Since 1985: Shaping the New Century” (0)
- 17: Andy Moon Wilson’s “Laserwarrior” at Get This!: The artist’s mind in 500 four-inch squares (0)
- 16: Theater review: Girl power and Melissa Gilbert headline “Little House on the Prairie: The Musical” (0)
- 16: Eavesdropping on Facebook: “I’m sorry, saxes. You know I love you.” (2)
- 15: At Hammonds House, incendiary art to make you squirm, by Jerry Cullum (0)
- 14: Author event: Sebastian Junger’s “War,” looking for the highs of combat (0)
- 14: Dance review: A New York premiere for gloATL and Lauri Stallings in “Halō” (0)
- 13: Theater review: Stellar cast enlivens Georgia Shakespeare’s “Shrew: The Musical” (2)
- 13: CD review: MC Maguire’s “Trash of Civilizations” a snapshot of frenzied Middle Eastern culture (0)
- 11: “Art on the BeltLine” a good beginning for a new public space (6)
- 10: Breaking news: A new Peachtree Street home for Museum of Design Atlanta (8)
- 09: Performance art this weekend: Cecelia Kane, Anya Liftig, Hormuz Minina (0)
- 09: Authors speaking in Atlanta this week (0)
- 08: Discovering fresh voices and good music, Atlanta Chamber Players go national with “Rapido!” (0)
- 07: Theater review: Joe Orton’s “Loot” at Onstage Atlanta, still shocking the bourgeoisie (0)
- 07: CD review: A luminous start for a complete series of Haydn piano sonatas (0)
- 04: More to do on Saturday: “ARTLANTIS, an alternative-gallery arts festival (4)
- 04: “Diana: A Celebration,” an expurgated fairy tale of “the People’s Princess” (0)
- 03: A busy weekend ahead, artwise — check it out (0)
- 01: With fervor of true believers, Spano and Atlanta Symphony offer Higdon and Gandolfi premieres (1)
- 01: Review: Alexandre Arrechea flouts “Rules of Play” at ACA Gallery of SCAD (0)
- 01: Film review: Zombies back in fashion, but George Romero’s latest is brain dead (0)
- 01: Catching up with choreographer Lauri Stallings as her gloATL prepares for “Halo” (0)
- May 2010 (32)
- 26: Breaking news: Bank of America sponsors Atlanta Celebrates Photography (2)
- 26: Last chance to see “Sprout,” an engaging group show at Kibbee Gallery (2)
- 26: Q&A with Jonathan Alter on “The Promise”: Looking inside the Obama White House (0)
- 26: Book review: Jonathan Alter’s “The Promise” paints Obama as bold leader, professorially detached (0)
- 24: Film review: Gianni Di Gregorio’s “Mid-August Lunch,” breaking bread with the geriatric set (1)
- 24: Contemporary design: Coming attractions from Modern Atlanta and the High Museum (0)
- 21: Goodbye puppet sex, hello mainstream fare at Cobb Energy center (4)
- 21: Review: Spruill Gallery’s “LATinGA” spotlights metro artists with Latin American roots (0)
- 19: Creative planning and design mark Atlanta Botanical Garden expansion (1)
- 18: MODA’s “Adapting Suburbs in the 21st Century”: Is the New Suburbanism coming to a strip mall near you? (1)
- 18: News brief: High Museum partners with Brenau University for educational initiative (0)
- 17: Former Atlanta Opera artistic director named Westminster Schools’ choir director (2)
- 17: Previewing the 2010 Atlanta Jazz Festival: A return to Piedmont Park (and bigger names) (0)
- 17: News brief: Lucha Rodriguez wins Forward Arts Foundation’s Emerging Artist Award (3)
- 16: Kathryn Stockett’s “The Help”: “Americans are not comfortable talking about race” (8)
- 16: Talking Peds: Bicyclist and rock star David Byrne appears at Atlanta Congress for New Urbanism (3)
- 15: Rocío Rodríguez talks about creating her first-ever wall drawing, at MOCA GA (0)
- 14: Atlantans Lucinda Bunnen and Susan Cofer chart new paths at Museum of Contemporary Art of Georgia (0)
- 14: Concert review: Young conductor makes impressive Atlanta Symphony debut (1)
- 13: Tracking Atlanta’s evolving jazz scene, one YouTube video at a time (0)
- 13: Jazz CD review: “Guiro” from flutist Bradford Rogers, fusion party music that makes you move (0)
- 13: More on Louise Nevelson’s “Dawn Forest,” soon to depart Atlanta (4)
- 12: At the highly anticipated debut of “LIFT,” men telling their stories through dance (2)
- 11: Carlos Museum’s “When Gold Blossoms” explores artistry, meaning of Indian jewelry (0)
- 11: In Jonathan Lerner’s “Alex Underground,” a reckless quest for justice and sexual identity (4)
- 07: Breaking news: Louise Nevelson’s sculptural installation “Dawn Forest” leaving Atlanta (7)
- 07: “Past. Perfect. Continuous.” The first joint exhibition for Whitney and Micah Stansell at whitespace (0)
- 06: Breaking news: High Museum co-organizes exhibit for 2010 Venice architecture biennale (0)
- 06: Film review: The “Red Riding” trilogy, a British TV cops-and-criminals drama, arrives on the big screen (0)
- 04: Book review: The strongest defy the atrocities of war in a novel shorn of ethnic labels (3)
- 03: Atlanta Ballet prepares for “Sheer Exhilaration,” a show of greatest hits and new works (0)
- 02: A conversation with Alfredo Jaar on art, politics and public interventions, by Rebecca Dimling Cochran (4)
- April 2010 (41)
- 30: Breaking news: Close but no cigar for HB 335, the local option sales tax designed to support the arts (2)
- 30: American ruins: “Detroit Disassembled,” Andrew Moore’s elegaic photos at Jackson Fine Art (0)
- 30: Atlanta Ballet’s 2010-11 season: New voices, enlightened choreography and a ‘Moulin Rouge’ hit? (1)
- 29: MOCA GA Working Artist Project grants awarded; Hudgens Prize still accepting applications (0)
- 27: Dance review: Ballethnic’s heart-palpitating fusion of African dance and ballet (2)
- 26: Annette Gates and Pandra Williams put together a knockout show at Kiang Gallery (0)
- 26: Parul Kapur Hinzen on the Townsend Prize for Fiction, going to Kathryn Stockett’s “The Help” (3)
- 25: Film review: Hitler’s Alpine climbers race to the top in Philipp Stölzl’s “North Face” (1)
- 23: Film review: A magical Ireland, circa A.D. 800, in “The Secret of Kells” — pity about the script (0)
- 23: Remixing music on the Web with Atlanta composer Jason Freeman (0)
- 22: Film review: Conor McPherson’s ghostly tone poem “The Eclipse” (0)
- 22: Theater review: Cirque du Soleil meets Lewis Carroll in Alliance’s “Lookingglass Alice” (0)
- 21: Breaking news: Senate restores funding for Georgia Council for the Arts; one hurdle remains (4)
- 21: Inman Park Festival weekend: i45, a new gallery collective, sponsors multi-media installation (0)
- 21: Breaking news: Artists selected for “Art on the BeltLine,” an arts fest to begin in May (7)
- 20: This just in: Some good news for Georgia Council for the Arts (3)
- 19: Webcast review: Peter Sellars directs Bach’s “St. Matthew” Passion with Berlin Philharmonic (0)
- 19: Theater review: A quick-witted “Taming of the Shrew” at Shakespeare Tavern (1)
- 19: Art lovers unite! March on the Gold Dome today to rally for the Georgia Council for the Arts (2)
- 19: Robert Sagerman’s scrumptious paintings and Claire Lieberman’s piquant sculptures at Marcia Wood Gallery (0)
- 17: SCAD Style brings design gurus to Atlanta (0)
- 16: Jazz at the High Museum today: Marcus Printup, a trumpeter in Marsalis’ Lincoln Center Orchestra (0)
- 16: “Substitute Teacher” at the Contemporary: Pranks and provocations (0)
- 15: More on the Georgia Council for the Arts (0)
- 15: The Great Recession drags down another classical ensemble: New Trinity Baroque cancels concert (0)
- 15: Photographs in “Woman’s Image” at Hagedorn Foundation Gallery engage eye and mind (0)
- 14: Demise of Georgia Council for the Arts? This just in … (9)
- 14: Fence-mending at the High Museum: A profile of new contemporary curator Michael Rooks (0)
- 13: Childhood wonder vs. adult knowledge fuels Joseph Peragine’s “Nature Porn” at Solomon Projects (0)
- 12: Georgia Tech’s Ferst Center melds dance and technology for its innovative 2010-11 dance series (3)
- 09: Concert review: Petrenko and Atlanta Symphony score big with “Manfred,” a rare Tchaikovsky (2)
- 09: Apocalypse now: Paintings and drawings by Atlantan Stephanie Kolpy at Wm Turner Gallery (1)
- 06: Breaking news: Atlanta Symphony names new president, an educator from beyond the orchestral gates (7)
- 06: Gems of modern architecture in East Georgia: Who knew? (0)
- 05: “Love Nests”: A cross-section of Atlantans at Museum of Design (0)
- 04: Georgia native dances with acclaimed Trey McIntyre Project, coming this week to the Rialto (0)
- 02: Breaking news: Robert Spano won’t play piano for his Emory lecture-recital tonight (1)
- 02: Film review: The chill beauty of Swedish murder mystery “The Girl With the Dragon Tattoo” (0)
- 01: Film review: André Téchiné’s “The Girl on the Train” explores a French anti-Semitism hoax (0)
- 01: Concert review: Sonic Generator and JacobTV get an enchanting new video by Amber Boardman (0)
- 01: Concert review: A peek at pianist Simone Dinnerstein in recital at Rich Auditorium (0)
- March 2010 (28)
- 31: “Memory Flash,” a multi-media art event on April 3, re-creates chapters of Atlanta’s queer history (0)
- 30: Breaking news: Atlanta Symphony development director Paul Hogle quits for Detroit Symphony (2)
- 30: Louis Corrigan on gloATL’s “Bloom”: A patron’s personal take on Flux’s first project (2)
- 29: Theater review: Cormac McCarthy’s excruciating “The Sunset Limited,” at Theatrical Outfit (1)
- 29: “The Allure of the Automobile” and the art of car design at the High Museum (2)
- 28: Jazz review: Wynton Marsalis’ Lincoln Center Orchestra in a new work, “Portrait in Seven Shades” (0)
- 26: “Abstracted Nature” at Swan Coach House Gallery: At least it’s spring somewhere (0)
- 26: Jazz CD review: Atlanta Braves organist debuts as band leader with “Taking My Time” (0)
- 26: Theater review: Mike Daisey’s monologue mashup “The Last Cargo Cult” at the Alliance Theatre (0)
- 25: Film review: “The Art of the Steal” and the question of Philadelphia’s fabulous Barnes collection (0)
- 22: Sisters Bo, Ling and Hong Zhang fuse East and West in their own ways, at Whitespace (0)
- 19: Atlanta’s jazz saxophonists play duets and help unite the local scene, by Jon Ross (0)
- 19: Film review: “Mother,” a sly, brilliant thriller from South Korean director Joon-ho Bong (1)
- 18: Dance news: Wormhole Project taps Alison Chase to mentor Atlanta choreographers (1)
- 18: Concert review: Lang Lang poetic for Chopin concerto with Atlanta Symphony (9)
- 16: Walking the walk and talking the talk with Fred Yalouris, the Atlanta BeltLine’s design director (16)
- 14: The future of arts criticism? Emory explores the topic with local arts leaders and ArtsCriticATL founders (2)
- 10: Dance news: Works by two Atlanta choreographers (with their students) going to the Kennedy Center (1)
- 10: Theater review: “Spring Awakening,” the Tony-winning musical on teen sex and angst, comes to Atlanta (7)
- 10: Bent Frequency goes for the hauntingly absurd with theater/music by Georges Aperghis (1)
- 06: Jon Ross reviews Monterey Jazz Festival, inspired collaborations at Ferst Center (0)
- 05: Breaking news: Atlanta artists in Québec City biennial (3)
- 04: Opera review: Soprano Mary Elizabeth Williams sings (belatedly) her “Aida” debut with Atlanta Opera (0)
- 04: Breaking news: New Serenbe Photography Center has a unique printing studio and more (0)
- 04: World premiere for Georgia Shakespeare: Brad Sherrill’s “Prophets” (0)
- 03: Breaking news: Shake at the Lake to bring free theater back to Piedmont Park (0)
- 02: Who will sing Aida tonight? The Atlanta Opera has yet another acclaimed soprano waiting in the wings (0)
- 01: Dance review: Modern Atlanta Dance Festival, a showcase of local talent, energized in its 15th year (0)
- February 2010 (35)
- 28: Opera review: Backstage drama and some real excitement in the Atlanta Opera’s “Aida” (9)
- 28: Film review: Andrea Arnold’s “Fish Tank,” diving into Britain’s bleak housing projects (0)
- 26: Alliance Theatre announces 2010-11 season, an impressive lineup with a mystery play in the mix (3)
- 26: Theater review: Kenny Leon’s True Colors finds the heart of Thornton Wilder’s “Our Town” (1)
- 24: Breaking news: Sour economy forces New Orleans’ great “Prospect.2″ art biennial to postpone (3)
- 24: Art review: Thaddeus LaCrette, newly discovered and self-taught, at Clark Atlanta Galleries (4)
- 23: Jerry Cullum reviews “4 for Four: Fourth Anniversary Exhibition” at Composition Gallery (0)
- 22: DanceATL makes its debut as Atlanta’s dance service organization and sets a (modest) agenda (1)
- 22: Rebecca Dimling Cochran reviews “Portrait Unbound: Photography by Robert Weingarten” (1)
- 22: Oscar nominees: Animation and short films at Atlanta’s Landmark Midtown Arts Cinema (0)
- 22: Jerry Cullum reviews Elyse Defoor’s classical turn at Wm Turner Gallery (1)
- 19: Jerry Cullum reviews Steven Sachs’ “Rock, Paper, Scissors” at Barbara Archer Gallery (0)
- 17: Art in 60 seconds: A conversation with video artist Amber Boardman (1)
- 15: News: Southeast Fiber Arts Alliance is a new organization for fiber arts (1)
- 14: Dance review: Flux Projects debuts with gloATL at Lenox Square. ‘Did you find what you were looking for?’ (1)
- 13: CD review: The late Beth Newdome in a recording of three Herbert Howells violin sonatas (1)
- 12: Art review: Atlanta’s Scott Ingram, redrawing the masters, at Solomon Projects (0)
- 11: Cult classics from Mauricio Kagel: A free “Film Music, Music Performance, Performance Film” (1)
- 11: Life and death: Jiha Moon at Saltworks, Gyun Hur at Get This! (0)
- 10: Jon Ross previews the Emory Jazz Festival, two days of music and master classes (0)
- 10: Breaking news: Architectural team chosen to design the Atlanta BeltLine (6)
- 09: News: Artist opportunities in Atlanta, but you’ll have to act fast (0)
- 08: Renee Stout wins the High Museum’s David C. Driskell Prize (1)
- 07: When art critics make the news: Creative Loafing interviews ArtsCriticATL’s Cathy Fox (0)
- 07: It will cause a stampede: Dancers to invade Lenox Square on Valentine’s weekend (0)
- 07: Lynn Geesaman and Jack Spencer at Jackson Fine Art, by Jerry Cullum (0)
- 06: Coming Feb. 8, Sonic Generator plays music by Bang on a Can composer Michael Gordon (0)
- 05: A conversation with Atlanta Ballet’s Tara Lee, dancing “Cinderella” as a strong modern woman (0)
- 05: Michael C. Carlos Museum opens a Web site for armchair archaeologists (0)
- 04: Breaking news: The hammer drops at the Georgia Council for the Arts (0)
- 04: Matisse, book artist, at Oglethorpe University Museum of Art (0)
- 03: Jazz review: Pianist McCoy Tyner brings trio to Variety Playhouse, by Jon Ross (0)
- 02: Coming this week: Orpheus Chamber Orchestra and Peter Maxwell Davies’ new “Sea Orpheus” (1)
- 01: Breaking news: Georgia State University School of Art and Design receives major bequest (0)
- 01: Film review: Gritty Paris and Gallic cool in Claire Denis’ “35 Shots of Rum” (0)
- January 2010 (37)
- 31: R.I.P Miramax Films: The end of an indie-film era (0)
- 31: Gaga dance from choreographer Ohad Naharin and Cedar Lake Contemporary Ballet (0)
- 29: Breaking news: 2010 Atlanta Jazz Festival returns to Piedmont Park, by Jon Ross (0)
- 29: Art review: “Run for Cover” at Spruill Gallery celebrates the art of album covers (0)
- 29: Tonight: Videos by Vito Acconci at Eyedrum, preview by Andy Ditzler (1)
- 28: Playing to strengths and box office, Atlanta Opera announces shortened 2010-11 season (1)
- 27: Breaking news: Brownlee and Cullum win first Nexus Award from Atlanta Contemporary Art Center (0)
- 27: Theater review: Mel Brooks’ “Young Frankenstein,” singing, dancing and sensory overload at the Fox Theatre (0)
- 27: Breaking news: The Hudgens Prize to award $50,000 to a Georgia artist (2)
- 27: Remembering Atlanta playwright, poet, storyteller Frank Manley, by Vincent Murphy (0)
- 25: Atlanta dancers unite for Haiti earthquake relief performance, Saturday at 7 Stages (0)
- 24: Concert review: Bang on a Can All-Stars and Wilco’s Glenn Kotche at Emory’s Schwartz Center (1)
- 23: Les Ballets Trockadero brings a little Monte Carlo dazzle and camp to Georgia Tech’s Ferst Center (0)
- 22: Breaking news: Atlanta Ballet music director Dan Alcott resigns (0)
- 22: Jazz review: Trumpeter Joe Gransden’s big band shows its be-bop chops at Café 290, by Jon Ross (0)
- 22: Breaking news: Grants for MOCA GA’s Working Artist Project (0)
- 22: Film review: Hal Holbrook and the drone of Southern cicadas in Scott Teems’ “That Evening Sun” (0)
- 21: Theater review: The a capella fellas lift every voice in Alliance Theatre’s “Avenue X” (1)
- 20: Breaking news: Budget evisceration at the Georgia Council for the Arts (1)
- 18: Choreographer George Staib talks about culture and identity for Staibdance debut (0)
- 17: Breaking news: the birth of Atlanta’s Flux Projects, a new/old model for arts patronage (6)
- 16: Getting closer: Wynton Marsalis’ (almost complete) “Blues Symphony,” review by Jon Ross (0)
- 15: “Altered Environments” and more works from the permanent collection at the High Museum (0)
- 14: Concert review: Cobb Symphony premieres music by Robert Cronin and Jen Mitchell (0)
- 13: Atlantans join art project targeting lead pollution by Rebecca Dimling Cochran (0)
- 12: Gems await at the Atlanta Jewish Film Festival (0)
- 12: Atlanta’s dance renaissance gets national exposure in Dance Magazine (0)
- 10: Preparing for Staibdance debut with choreography by Catellier & Staib and more (0)
- 09: Jerry Cullum reviews Venske & Spänle’s impudent sculptures at Marcia Wood Gallery (0)
- 08: Theater review: Sexy and a little too ripe “Canterbury Tales” at the Shakespeare Tavern (0)
- 08: One week only: Micah Stansell’s video installation “Presynaptic Potential” at MOCA GA (0)
- 07: “Picturing Home,” a juried photo exhibit at Emory University’s Visual Arts Gallery (2)
- 06: Breaking news: Donald Runnicles re-ups as Atlanta Symphony principal guest conductor (0)
- 05: Twyla Tharp’s “Come Fly With Me,” an Atlanta premiere, heads to Broadway (0)
- 05: Bryce Hammond and Maxx Morgan in “A Tale of Two Cities” at Alan Avery Art Company (1)
- 05: Talking with David Lang about “The Little Match Girl Passion” (Harmonia Mundi) (0)
- 03: Katherine Mitchell’s “Correspondences, Conversations, and Text” at Sandler Hudson Gallery (0)
- December 2009 (26)
- 28: Opera review: Menotti’s “Amahl and the Night Visitors” at Theatrical Outfit (0)
- 24: Thomas May reviews Thielemann’s “Ring” from Bayreuth (Opus Arte) (2)
- 21: Atlanta Symphony Chorus a highlight of Berlin Philharmonic Digital Concert Hall (1)
- 21: New etching by Ruth Laxson from the Atlanta Printmakers Studio (0)
- 19: Ballet Review: Atlanta Ballet’s updated “Nutcracker,” a fresh classic (2)
- 18: Art review: “More Mergers & Acquisitions” at the Atlanta Contemporary Art Center (0)
- 18: Film review: Wicked and touching, Sebastian Silva’s “The Maid” (0)
- 16: Film review: Sex, nudity, grandchildren in Andreas Dresen’s “Cloud 9″ (0)
- 16: Art review: Chris Scarborough’s fine “mess” at Atlanta’s Marcia Wood Gallery by Rebecca Dimling Cochran (0)
- 15: Choreographers named for 2010 Modern Atlanta Dance Festival (0)
- 15: An “Aerge to Walk”: Three performances by Stuart Keeler this week (4)
- 15: Breaking news: Atlanta Symphony appoints new concertmaster (0)
- 14: News: Playable 2010, an international design competition, launches in Atlanta (0)
- 14: News: Playable 2010, an international design competition launches in Atlanta (0)
- 13: ArtsCriticATL interview: New Atlanta Ballet executive director Arthur Jacobus (0)
- 11: Art review: Atlantan Sarah Hobbs assaults our defenses in photos at Solomon Projects (0)
- 10: Breaking news: Atlanta Opera cuts productions and budget for next season (1)
- 10: Architecture news: a new website for architects and architecture lovers (0)
- 08: Concert review: Tristan Perich, a composer-inventor who makes “Audio Art,” at Eyedrum (0)
- 08: Theater review: Chris Kayser brilliant in “A Christmas Carol” at Atlanta’s Alliance (0)
- 08: George Kuchar, legendary filmmaker, makes music video for Atlanta’s Andy Ditzler (0)
- 07: Lauri Stallings’ gloATL makes dance, Sonic Generator makes music, for “crea” (0)
- 04: Theater review: “Scrooge in Rouge” at Atlanta’s 14th Street Playhouse (0)
- 04: DVD review: “The Rite of Spring” choreographed by Nijinsky — spectacular (BelAir Classiques) (1)
- 03: Breaking news: Atlanta’s Idea Capital announces 2009 artist grants (0)
- 02: Atlanta’s Fahamu Pecou, at Get This! Gallery and beyond (0)
- November 2009 (29)
- 30: CD review: “In C Remixed” (innova) (0)
- 30: Dance review: Atlanta’s Brooks and Company Dance in “Composed” (0)
- 29: Theater review: Music & mirth in “A Christmas Carol” at Atlanta’s Shakespeare Tavern (0)
- 28: Photography review: Tierney Gearon’s “Explosure” at Jackson Fine Art (0)
- 27: CD review: Lado Ataneli sings baritone arias (Naxos) (0)
- 24: Behind the scenes: Team Marsalis and the status of Wynton’s “Blues Symphony” (4)
- 24: Art review: “Scripture for the Eyes,” 16th-century prints at Atlanta’s Carlos Museum (0)
- 23: A new book: “Georgia Masterpieces: Selected Works from Georgia’s Museums” (0)
- 23: Horse theater review: “Cavalia” at Atlanta’s Atlantic Station dazzles (1)
- 23: Breaking news: Atlanta Ballet names new executive director (0)
- 23: Concert review: Sonic Generator’s “French-American Connection” at Georgia Tech (0)
- 19: Breaking news: High Museum hires new modern and contemporary art curator (0)
- 18: Atlanta’s Synchronicity theater drops two shows, including Sarah Ruhl’s “Dead Man’s Cell Phone” (0)
- 13: Corin Hewitt, Harry Shearer and Will Rogan at The Atlanta Contemporary Art Center (0)
- 12: Art review: “Still Water,” Agnes Scott College’s engaging and sometimes witty look at the water crisis (0)
- 11: And the winners are … the 2009 Suzi Bass Awards for best theater in Atlanta (1)
- 11: Another review of David Mamet’s “A Life in the Theatre” at Atlanta’s Alliance Theatre (0)
- 10: Symphony’s Marsalis “Blues Symphony” world premiere postponed (again) (3)
- 09: Theater review: Audiences sour on “A Life in the Theatre” at Atlanta’s Alliance (1)
- 09: Dance review: Angela Harris’ Dance Canvas at 14th Street Playhouse (2)
- 09: Another perspective on the Atlanta Symphony’s “Chinese” program, at Carnegie Hall (0)
- 09: Art review: Joel Leivick photographs at Emory’s Visual Arts Gallery (3)
- 06: Discounted theater tickets: Pay what you can at Atlanta’s Theatrical Outfit (0)
- 04: Marcel Breuer retrospective at the Museum of Design Atlanta and the Central Library (12)
- 04: Lauri Stallings talks about dance and gravity and raves about Atlanta (interview Part 2) (0)
- 04: Atlantan Ed Spriggs on the late Roy DeCarava (5)
- 03: Classical radio wit (1)
- 03: ArtsCriticATL interview with choreographer Lauri Stallings about “pour” (Part 1) (0)
- 02: Chi Peng’s terrific “Journey to the West” at Atlanta’s Kiang Gallery (1)
- October 2009 (33)
- 30: Concert review: Runnicles and Atlanta Symphony soar in Brahms’ “Ein deutsches Requiem” (0)
- 29: ARCHITECTURE (0)
- 29: Breaking news: Atlanta arts organizations collaborate on family subscription series (0)
- 26: Dance review: Atlanta Ballet presents Mark Godden’s “The Magic Flute” (0)
- 26: Film review: The lived-in pleasures of Hirokazu Kore-Eda’s “Still Walking” (0)
- 23: Christopher O’Riley, host of NPR’s “From the Top,” plays Chopin Society of Atlanta (0)
- 22: Theater review: world premiere of Gabriel Dean’s “Buy My House…Please!” at Aurora Theatre (1)
- 22: A valentine to Atlanta architect John Portman at the High Museum of Art (1)
- 20: Georgia Shakespeare news: the 2010 season and the return of Shake at the Lake? (1)
- 20: David Parsons Dance and East Village Opera Company in “Remember Me” (1)
- 19: The cell phone as artist’s tool: ‘on the flip side’ at Atlanta’s Spruill Gallery (0)
- 19: Alejandro Aguilera, Kojo Griffin and Jefferson Pinder at Saltworks (0)
- 16: Film review: terrorism impassioned in Uli Edel’s “The Baader Meinhof Complex” (0)
- 15: Concert review: Atlanta Symphony and Yo-Yo Ma play Angel Lam’s “Awakening from a Disappearing Garden” (3)
- 15: South Atlantic Region chapter American Institute of Architects design award: Praxis3 (0)
- 14: South Atlantic Region chapter American Institute of Architects design award: Amy Landesberg (0)
- 13: South Atlantic Region American Institute of Architects design awards: Mack Scogin Merrill Elam Architects (0)
- 13: The grass is greener: Denver Art Museum’s ambitious exhibit of site-specific art (0)
- 13: South Atlantic Region American Institute of Architects Design Awards: Robert M. Cain (1)
- 11: Atlanta’s Perkins + Will wins international design competition for portable classroom (1)
- 09: Film review: Agnes Varda’s self-portrait “The Beaches of Agnes” (0)
- 08: Review of “Leonardo da Vinci: Hand of the Genius” at Atlanta’s High Museum (3)
- 07: Atlanta Celebrates Photography: a grass-roots organization thrives (1)
- 07: Yoel Levi conducts Atlanta Opera’s “The Elixir of Love” (0)
- 06: “Leonardo” and how artists grow (0)
- 05: Atlanta Symphony conductor Robert Spano named Emory artist in residence (0)
- 05: Le Flash-Atlanta 2009 on YouTube (0)
- 05: Le Flash-Atlanta: worlds collide in dance with Lauri Stallings’ “Pour” (8)
- 05: Le Flash: Le Postmortem (5)
- 04: Film review: Martin Provost’s “Seraphine” — scrubbing floors, making naïve art (0)
- 02: News you can use: Le Flash (0)
- 01: Wendy Wasserstein’s “Third,” strong medicine from Horizon Theatre (0)
- 01: Artist Radcliffe Bailey’s new show at Atlanta’s Solomon Projects (0)
- September 2009 (21)
- 30: It’s official: Philadelphia Orchestra snags Allison Vulgamore (0)
- 30: News you can use: free passes to High Museum’s “Leonardo” (0)
- 29: Review round-up of Twyla Tharp’s “Come Fly With Me” (0)
- 29: “Sweet Tea: Black Gay Men of the South,” a book and a performance (0)
- 28: Coming to an arts multiplex near you: Louvre Atlanta (Part Deux) (4)
- 27: Dance Review: Twyla Tharp’s “Come Fly With Me,” Sinatra in the starry sky (2)
- 27: Le Flash — possibly Atlanta’s event of the year — and a prelude (2)
- 23: The ArtsCriticATL interview with Twyla Tharp for “Come Fly With Me” (0)
- 22: Breaking news: Allison Vulgamore quits Atlanta Symphony for Philadelphia Orchestra (2)
- 21: A world awry: Sarah Emerson and Jeff Grant (0)
- 21: Two takes on the classics: sitar/tabla and violin/piano (0)
- 15: Black female identity and art, at Spelman College Museum (2)
- 15: Twyla Tharp’s “Come Fly with Me” comes to Atlanta’s Alliance Theatre (2)
- 08: Dead! Alive! Real Zombies in Atlanta (1)
- 06: New Trinity Baroque opens its 11th season (0)
- 04: Breaking news: Goodbye Cleveland, hello Kuala Lumpur! (0)
- 04: Louvre Atlanta limps to the finish line (5)
- 03: “Grey Gardens” at Actor’s Express — Cats, camp and Kennedy connections (1)
- 02: Plan your 2009 fall dance calendar now. Here are Cynthia’s top picks. (1)
- 02: An 8-projector film extravaganza, at Eyedrum (0)
- 01: Charles Huntley Nelson Jr. remembered (0)
- August 2009 (14)
- 27: Maria Artemis at Museum of Contemporary Art of Georgia (0)
- 26: Live from London: Donald Runnicles conducts over the Internet (0)
- 26: Theatre in the Square’s edgy Alley Stage fades to black (0)
- 21: Photographer Alec Soth’s loners at the High Museum (1)
- 20: Fletcher Wolfe re-ups as Atlanta Boy Choir conductor (1)
- 19: Southface teaches eco-values by example (0)
- 18: Are teenage conductors the future of classical music? (4)
- 18: ‘Their bodies are canvases’: the extraordinary art of Ethiopia’s Omo Valley (1)
- 17: Liberated from storage purgatory: High Museum exhibits from its collection (0)
- 13: Jennie C. Jones makes music at the Contemporary (0)
- 11: Save Eyedrum! Auction Friday night (0)
- 11: Boy Choir melts down in classic Atlanta style (0)
- 08: Breaking news: Alliance Theatre cans managing director Tom Pechar (3)
- 03: Le Flash-Atlanta grows up (1)
- July 2009 (26)
- 31: NBAF art exhibits and the enduring portrait genre (1)
- 29: “Alice” at Georgia Shakespeare, neither curiouser nor curiouser (0)
- 27: In memoriam, dancer Antonio Sisk (1)
- 27: gloATL’s “rapt” and the ASO over the weekend (0)
- 26: Lauri Stallings’ “rapt” transforms the Woodruff Arts Center (2)
- 24: Of dinosaurs and graffiti, “Buying local” at Emily Amy Gallery (0)
- 24: Pipe dreams on the Emory University organ (1)
- 22: Emerging artists at the Atlanta Printmakers Studio (1)
- 21: Classical scene odds-n-ends, July 2009 (2)
- 20: Dance 101’s “Incarnation” ushers in new voices, new works (2)
- 19: In Fugard’s “Blood Knot,” the odd couple electrifies at Theatrical Outfit (0)
- 19: Gateways going green at the Garden and on the Chattahoochee (0)
- 17: Marcia Wood gallery group show (1)
- 16: CD review: Minkowski conducts Bach B-minor Mass (Naive) (1)
- 16: Mired in money troubles, Eyedrum threatens to move or close (0)
- 14: Horizon Theatre’s engaging “A Cool Drink A Water” (0)
- 12: Spelman museum to go “undercover.” (0)
- 11: ‘Bear thou my hand, sweet wench, between thy teeth,’ or laughing at “Titus Andronicus” (0)
- 10: Atlanta artists Marcia Cohen and Tom Ferguson in the spotlight (0)
- 10: “Tokyo Sonata,” a film of polite desperation (1)
- 09: Atlanta Symphony snags its share of Obama stimulus money (0)
- 08: Atlanta Ballet’s summer talent prepares for free concert (0)
- 05: Klimchak, Atlanta’s one-of-a-kind composer (1)
- 03: Brian Dettmer: under the radar no more. (0)
- 02: “Smoke on the Mountain” at Marietta’s Theatre in the Square (0)
- 01: Lauri Stallings’ gloATL group will dance at the Woodruff Arts Center (2)
- June 2009 (36)
- 30: “Emerging” artists at Spruill Gallery (0)
- 30: Minadakis is back on a “Hot Tin Roof” at Georgia Shakespeare (0)
- 29: CD review: Glamorous violinist, harrowing concerto (0)
- 29: Atlanta Symphony’s all-Mozart concert at Encore Park
- 29: Lynching photos to have first international showing (1)
- 26: Georgia Tech’s Ferst Center names new executive director
- 26: Playing war: Ruth Dusseault at Hagedorn Foundation Gallery (0)
- 26: “Cheri” the latest Michelle Pfeiffer film of love, French style (0)
- 24: High Museum changes Monet “Water Lilies” exhibit (0)
- 23: The new Bascom museum in Highlands, N.C.
- 23: ASO and Chorus opens Encore Park with spectacular “Carmina Burana” (0)
- 21: Protesting on film: folk singers, self-immolation, ACT-UP Atlanta (0)
- 19: Save the date
- 19: Money makes the world go ’round: Atlanta Lyric Theatre’s canned “Cabaret” (0)
- 18: LouvreAtlanta alum heads to Dallas
- 18: Apocalypse Now in two Atlanta art exhibits, with a happy end
- 17: Georgia Shakespeare’s ‘The Casters Show, or A Midsummer Night’s Dream’ (review 2) (1)
- 17: Le Sacre du Google
- 16: First Look at Woodruff Arts Center’s proposed 25-year master plan
- 16: Live blogging the Woodruff Arts Center’s new master plan, today starting at 3 pm
- 15: Georgia Shakespeare opens season with ‘Midsummer Night’s Dream’ (review 1) (1)
- 15: Posters at the Museum of Design Atlanta
- 12: High Museum to mount Radcliffe Bailey solo show
- 12: Historic ‘Atlanta Music Festival’ coming to Spelman College
- 11: CD review: Bach for kids, played by a master
- 11: Longtime gallerist Fay Gold honored at the Contemporary
- 10: Angelbert Metoyer, Charlie Koolhaas at Sandler Hudson Gallery
- 10: Georgia Shakespeare’s summer 2009 season
- 09: Yoel Levi conducts Atlanta Opera twice next season
- 08: Atlanta Symphony and Luciana Souza in “Tangos, Fados and Dance”
- 08: Atlanta’s Civil Rights Center selects Creative Director
- 04: Drowning in Beauty: Monet’s Water Lilies at the High Museum
- 03: A send-off for Jennings Hertz, a patron of Atlanta theater
- 02: Spoleto Festival names new chamber music director
- 02: Contemporary African-American Art at the High Museum
- 01: Blue Genius: Golijov’s ‘Azul’ from Yo-Yo Ma and ASO
- May 2009 (13)
- 29: Olivier Assayas’ film “Summer Hours”
- 29: Atlanta Civil Rights Center picks Landscape Architect
- 29: David Driskell Prints at the High Museum
- 28: A High Museum Curator departs for Dallas
- 27: Spivey Hall names new education director
- 27: Atlanta architects’ ingenious courthouse designs
- 27: Getting inside the Atlanta Symphony Chorus’ head
- 26: Violin as Cuckoo, Harpsichord as Frog
- 23: Artist Matt Haffner moves in directions old and new (1)
- 18: Posters at Museum of Design Atlanta, and a ‘Morale Hazard’
- 16: Atlanta Ballet splendid for classic ‘Don Quixote’
- 11: Concert review: Spano and Atlanta Symphony Dream of Orpheus
- 08: Welcome to ArtsCriticATL.com for news and reviews on the arts in Atlanta (3)
