Here is all 441 of the artscriticATL.com posts:
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- July 2010 (34)
- 28: Breaking news: Cobb Symphony Orchestra looks to “Mad Men” for its new executive director
- 27: Sheila Pree Bright poses provocative questions in “Girls, Grillz and Guns” at Sandler Hudson Gallery
- 26: Dance review: Lauri Stallings’ gloATL dancers “Roem” free at Woodruff Arts Center
- 23: Film review: Ancient settings, modern ideas, strong performances fill “Agora”
- 22: Film review: “Best Worst Movie,” where gingivitis and the fame virus collide
- 22: Eric Waters’ ravaged clarinets distill tragedy of Katrina, at Mason Murer Fine Art
- 22: Book review: Susan Rebecca White’s “A Soft Place to Land” revisits troubled Atlanta elite
- 21: CD and concert review: Atlanta Symphony clarinetist Alcides Rodríguez swings with his native music
- 20: Photographer Dawoud Bey talks about “Class Pictures” and the Emory Project, by Rebecca Dimling Cochran
- 19: Brandon Sadler shows his promise in “Red Dawn” at Wm. Turner Gallery, by Jerry Cullum
- 19: Theater review: The remarkable normalcy of same-sex love in “Shakespeare’s R&J”
- 16: Shana Robbins shows impressive range of skills in solo exhibit at The Contemporary
- 15: Of interest this weekend: Artist talks and a performance during Westside Art Walk
- 14: Shakespeare Tavern goes “over the top” with rock ‘n’ roll “Hamlet”
- 14: Book review & author interview: Disappearing land, vanishing identity for people of coastal Louisiana
- 14: Butterfly beauty in Bill Harbin’s photos at Fernbank, by Jerry Cullum
- 14: Wycliffe Gordon leads live jazz score to 1925 silent film “Body and Soul” at National Black Arts Festival
- 13: A talk with outgoing High Museum photo curator Julian Cox
- 12: Daryl Foster on Atlanta dancers’ dilemma: Should I stay or should I go?
- 12: High Museum show moves Peter Sekaer toward photography canon
- 11: Theater review: Rita Dove’s verse play “The Darker Face of the Earth” at Essential Theatre
- 10: Caroline Lathan-Stiefel and crew make “Seepages” worth a visit, at Whitespace
- 09: Breaking news: Photo curator Julian Cox leaving High Museum
- 09: Tales of the rails: Train culture animates Paper Twins’ BeltLine “Wanderers”
- 08: Film review: Searching for the missing word in James Ivory’s “City of Your Final Destination”
- 08: Film review: Sexy Swedish violence in Stieg Larsson’s “Girl Who Played With Fire,” Part 2 of Millennium Trilogy
- 08: Breaking news: Flux Projects announces 2010-11 programs
- 06: News you can use: Jeff Koons and Kehinde Wiley coming to High Museum
- 05: Preparing for Georgia Shakespeare’s “King Lear,” where each obsession burns in a different way
- 05: Theater review: After 22 years, Horizon’s “Shakin’ the Mess Outta Misery” gets a raucous homecoming
- 05: Georgia Tech profs let you wear your computer on your sleeve, at MODA
- 02: Retelling Oedipus, Rita Dove’s “The Darker Face of the Earth” gets its Atlanta premiere
- 02: Film review: Truth in advertising for Michael Winterbottom’s “The Killer Inside Me”
- 01: Cosmo Whyte displays his technical panache at Swan Coach House Gallery
- June 2010 (35)
- 29: Theater review: “John & Jen,” an al fresco delight for Serenbe Playhouse’s inaugural season
- 27: Theater review: Georgia Shakespeare fights the uphill battle of “Love’s Labour’s Lost”
- 25: Film review: Neil Jordan’s latest, “Ondine,” where supermodels are fished from the sea
- 24: Stephen Hayes makes a stellar debut with “Crash Crop” at Mason Murer Fine Art
- 24: Another BeltLine event: Brooks and Company Dance in “MENT”
- 23: Street art and public space the subject of “Living Walls: The City Speaks,” coming in August
- 22: Cartoonist Mike Luckovich to speak at Breman Museum during “Dr. Seuss Goes to War”
- 22: CD review: “Evidence of Things to Come,” a free-spirited debut from Atlanta sax man Brian Hogans
- 20: Bala Sarasvati’s CORE Concert Dance brings “Coeur de CORE” to Atlanta
- 17: Book review: Bret Easton Ellis’ “Imperial Bedrooms,” where the only thing real is the thing you desire
- 17: Film review: Not exactly a Bond spoof, “OSS 117: Lost in Rio” stars charismatic Jean Dujardin
- 17: High Museum makes a splash with “European Design Since 1985: Shaping the New Century”
- 17: Andy Moon Wilson’s “Laserwarrior” at Get This!: The artist’s mind in 500 four-inch squares
- 16: Theater review: Girl power and Melissa Gilbert headline “Little House on the Prairie: The Musical”
- 16: Eavesdropping on Facebook: “I’m sorry, saxes. You know I love you.”
- 15: At Hammonds House, incendiary art to make you squirm, by Jerry Cullum
- 14: Author event: Sebastian Junger’s “War,” looking for the highs of combat
- 14: Dance review: A New York premiere for gloATL and Lauri Stallings in “Halō”
- 13: Theater review: Stellar cast enlivens Georgia Shakespeare’s “Shrew: The Musical”
- 13: CD review: MC Maguire’s “Trash of Civilizations” a snapshot of frenzied Middle Eastern culture
- 11: “Art on the BeltLine” a good beginning for a new public space
- 10: Breaking news: A new Peachtree Street home for Museum of Design Atlanta
- 10: A conversation with Peter Lieberson: On the ASO’s performing “Neruda Songs,” on love and renewal
- 09: Performance art this weekend: Cecelia Kane, Anya Liftig, Hormuz Minina
- 09: Authors speaking in Atlanta this week
- 08: Discovering fresh voices and good music, Atlanta Chamber Players go national with “Rapido!”
- 07: Theater review: Joe Orton’s “Loot” at Onstage Atlanta, still shocking the bourgeoisie
- 07: CD review: A luminous start for a complete series of Haydn piano sonatas
- 04: More to do on Saturday: “ARTLANTIS, an alternative-gallery arts festival
- 04: “Diana: A Celebration” at Atlanta Civic Center, an expurgated fairy tale of “the people’s princess”
- 03: A busy weekend ahead, artwise — check it out
- 01: With fervor of true believers, Spano and Atlanta Symphony offer Higdon and Gandolfi premieres
- 01: Review: Alexandre Arrechea flouts “Rules of Play” at ACA Gallery of SCAD
- 01: Film review: Zombies back in fashion, but George Romero’s latest is brain dead
- 01: Catching up with choreographer Lauri Stallings as her gloATL prepares for “Halo”
- May 2010 (32)
- 26: Breaking news: Bank of America sponsors Atlanta Celebrates Photography
- 26: Last chance to see “Sprout,” an engaging group show at Kibbee Gallery
- 26: Q&A with Jonathan Alter on “The Promise”: Looking inside the Obama White House
- 26: Book review: Jonathan Alter’s “The Promise” paints Obama as bold leader, professorially detached
- 24: Film review: Gianni Di Gregorio’s “Mid-August Lunch,” breaking bread with the geriatric set
- 24: Contemporary design: Coming attractions from Modern Atlanta and the High Museum
- 21: Goodbye puppet sex, hello mainstream fare at Cobb Energy center
- 21: Review: Spruill Gallery’s “LATinGA” spotlights metro artists with Latin American roots
- 19: Creative planning and design mark Atlanta Botanical Garden expansion
- 18: MODA’s “Adapting Suburbs in the 21st Century”: Is the New Suburbanism coming to a strip mall near you?
- 18: News brief: High Museum partners with Brenau University for educational initiative
- 17: Former Atlanta Opera artistic director named Westminster Schools’ choir director
- 17: Previewing the 2010 Atlanta Jazz Festival: A return to Piedmont Park (and bigger names)
- 17: News brief: Lucha Rodriguez wins Forward Arts Foundation’s Emerging Artist Award
- 16: Kathryn Stockett’s “The Help”: “Americans are not comfortable talking about race”
- 16: Talking Peds: Bicyclist and rock star David Byrne appears at Atlanta Congress for New Urbanism
- 15: Rocío Rodríguez talks about creating her first-ever wall drawing, at MOCA GA
- 14: Atlantans Lucinda Bunnen and Susan Cofer chart new paths at Museum of Contemporary Art of Georgia
- 14: Concert review: Young conductor makes impressive Atlanta Symphony debut
- 13: Tracking Atlanta’s evolving jazz scene, one YouTube video at a time
- 13: Jazz CD review: “Guiro” from flutist Bradford Rogers, fusion party music that makes you move
- 13: More on Louise Nevelson’s “Dawn Forest,” soon to depart Atlanta
- 12: At the highly anticipated debut of “LIFT,” men telling their stories through dance
- 11: Carlos Museum’s “When Gold Blossoms” explores artistry, meaning of Indian jewelry
- 11: In Jonathan Lerner’s “Alex Underground,” a reckless quest for justice and sexual identity
- 07: Breaking news: Louise Nevelson’s sculptural installation “Dawn Forest” leaving Atlanta
- 07: “Past. Perfect. Continuous.” The first joint exhibition for Whitney and Micah Stansell at whitespace
- 06: Breaking news: High Museum co-organizes exhibit for 2010 Venice architecture biennale
- 06: Film review: The “Red Riding” trilogy, a British TV cops-and-criminals drama, arrives on the big screen
- 04: Book review: The strongest defy the atrocities of war in a novel shorn of ethnic labels
- 03: Atlanta Ballet prepares for “Sheer Exhilaration,” a show of greatest hits and new works
- 02: A conversation with Alfredo Jaar on art, politics and public interventions, by Rebecca Dimling Cochran
- April 2010 (41)
- 30: Breaking news: Close but no cigar for HB 335, the local option sales tax designed to support the arts
- 30: American ruins: “Detroit Disassembled,” Andrew Moore’s elegaic photos at Jackson Fine Art
- 30: Atlanta Ballet’s 2010-11 season: New voices, enlightened choreography and a ‘Moulin Rouge’ hit?
- 29: MOCA GA Working Artist Project grants awarded; Hudgens Prize still accepting applications
- 27: Dance review: Ballethnic’s heart-palpitating fusion of African dance and ballet
- 26: Annette Gates and Pandra Williams put together a knockout show at Kiang Gallery
- 26: Parul Kapur Hinzen on the Townsend Prize for Fiction, going to Kathryn Stockett’s “The Help”
- 25: Film review: Hitler’s Alpine climbers race to the top in Philipp Stölzl’s “North Face”
- 23: Film review: A magical Ireland, circa A.D. 800, in “The Secret of Kells” — pity about the script
- 23: Remixing music on the Web with Atlanta composer Jason Freeman
- 22: Film review: Conor McPherson’s ghostly tone poem “The Eclipse”
- 22: Theater review: Cirque du Soleil meets Lewis Carroll in Alliance’s “Lookingglass Alice”
- 21: Breaking news: Senate restores funding for Georgia Council for the Arts; one hurdle remains
- 21: Inman Park Festival weekend: i45, a new gallery collective, sponsors multi-media installation
- 21: Breaking news: Artists selected for “Art on the BeltLine,” an arts fest to begin in May
- 20: This just in: Some good news for Georgia Council for the Arts
- 19: Webcast review: Peter Sellars directs Bach’s “St. Matthew” Passion with Berlin Philharmonic
- 19: Theater review: A quick-witted “Taming of the Shrew” at Shakespeare Tavern
- 19: Art lovers unite! March on the Gold Dome today to rally for the Georgia Council for the Arts
- 19: Robert Sagerman’s scrumptious paintings and Claire Lieberman’s piquant sculptures at Marcia Wood Gallery
- 17: SCAD Style brings design gurus to Atlanta
- 16: Jazz at the High Museum today: Marcus Printup, a trumpeter in Marsalis’ Lincoln Center Orchestra
- 16: “Substitute Teacher” at the Contemporary: Pranks and provocations
- 15: More on the Georgia Council for the Arts
- 15: The Great Recession drags down another classical ensemble: New Trinity Baroque cancels concert
- 15: Photographs in “Woman’s Image” at Hagedorn Foundation Gallery engage eye and mind
- 14: Demise of Georgia Council for the Arts? This just in …
- 14: Fence-mending at the High Museum: A profile of new contemporary curator Michael Rooks
- 13: Childhood wonder vs. adult knowledge fuels Joseph Peragine’s “Nature Porn” at Solomon Projects
- 12: Georgia Tech’s Ferst Center melds dance and technology for its innovative 2010-11 dance series
- 09: Concert review: Petrenko and Atlanta Symphony score big with “Manfred,” a rare Tchaikovsky
- 09: Apocalypse now: Paintings and drawings by Atlantan Stephanie Kolpy at Wm Turner Gallery
- 06: Breaking news: Atlanta Symphony names new president, an educator from beyond the orchestral gates
- 06: Gems of modern architecture in East Georgia: Who knew?
- 05: “Love Nests”: A cross-section of Atlantans at Museum of Design
- 04: Georgia native dances with acclaimed Trey McIntyre Project, coming this week to the Rialto
- 02: Breaking news: Robert Spano won’t play piano for his Emory lecture-recital tonight
- 02: Film review: The chill beauty of Swedish murder mystery “The Girl With the Dragon Tattoo”
- 01: Film review: André Téchiné’s “The Girl on the Train” explores a French anti-Semitism hoax
- 01: Concert review: Sonic Generator and JacobTV get an enchanting new video by Amber Boardman
- 01: Concert review: A peek at pianist Simone Dinnerstein in recital at Rich Auditorium
- March 2010 (28)
- 31: “Memory Flash,” a multi-media art event on April 3, re-creates chapters of Atlanta’s queer history
- 30: Breaking news: Atlanta Symphony development director Paul Hogle quits for Detroit Symphony
- 30: Louis Corrigan on gloATL’s “Bloom”: A patron’s personal take on Flux’s first project
- 29: Theater review: Cormac McCarthy’s excruciating “The Sunset Limited,” at Theatrical Outfit
- 29: “The Allure of the Automobile” and the art of car design at the High Museum
- 28: Jazz review: Wynton Marsalis’ Lincoln Center Orchestra in a new work, “Portrait in Seven Shades”
- 26: “Abstracted Nature” at Swan Coach House Gallery: At least it’s spring somewhere
- 26: Jazz CD review: Atlanta Braves organist debuts as band leader with “Taking My Time”
- 26: Theater review: Mike Daisey’s monologue mashup “The Last Cargo Cult” at the Alliance Theatre
- 25: Film review: “The Art of the Steal” and the question of Philadelphia’s fabulous Barnes collection
- 22: Sisters Bo, Ling and Hong Zhang fuse East and West in their own ways, at Whitespace
- 19: Atlanta’s jazz saxophonists play duets and help unite the local scene, by Jon Ross
- 19: Film review: “Mother,” a sly, brilliant thriller from South Korean director Joon-ho Bong
- 18: Dance news: Wormhole Project taps Alison Chase to mentor Atlanta choreographers
- 18: Concert review: Lang Lang poetic for Chopin concerto with Atlanta Symphony
- 16: Walking the walk and talking the talk with Fred Yalouris, the Atlanta BeltLine’s design director
- 14: The future of arts criticism? Emory explores the topic with local arts leaders and ArtsCriticATL founders
- 10: Dance news: Works by two Atlanta choreographers (with their students) going to the Kennedy Center
- 10: Theater review: “Spring Awakening,” the Tony-winning musical on teen sex and angst, comes to Atlanta
- 10: Bent Frequency goes for the hauntingly absurd with theater/music by Georges Aperghis
- 06: Jon Ross reviews Monterey Jazz Festival, inspired collaborations at Ferst Center
- 05: Breaking news: Atlanta artists in Québec City biennial
- 04: Opera review: Soprano Mary Elizabeth Williams sings (belatedly) her “Aida” debut with Atlanta Opera
- 04: Breaking news: New Serenbe Photography Center has a unique printing studio and more
- 04: World premiere for Georgia Shakespeare: Brad Sherrill’s “Prophets”
- 03: Breaking news: Shake at the Lake to bring free theater back to Piedmont Park
- 02: Who will sing Aida tonight? The Atlanta Opera has yet another acclaimed soprano waiting in the wings
- 01: Dance review: Modern Atlanta Dance Festival, a showcase of local talent, energized in its 15th year
- February 2010 (35)
- 28: Opera review: Backstage drama and some real excitement in the Atlanta Opera’s “Aida”
- 28: Film review: Andrea Arnold’s “Fish Tank,” diving into Britain’s bleak housing projects
- 26: Alliance Theatre announces 2010-11 season, an impressive lineup with a mystery play in the mix
- 26: Theater review: Kenny Leon’s True Colors finds the heart of Thornton Wilder’s “Our Town”
- 24: Breaking news: Sour economy forces New Orleans’ great “Prospect.2″ art biennial to postpone
- 24: Art review: Thaddeus LaCrette, newly discovered and self-taught, at Clark Atlanta Galleries
- 23: Jerry Cullum reviews “4 for Four: Fourth Anniversary Exhibition” at Composition Gallery
- 22: DanceATL makes its debut as Atlanta’s dance service organization and sets a (modest) agenda
- 22: Rebecca Dimling Cochran reviews “Portrait Unbound: Photography by Robert Weingarten”
- 22: Oscar nominees: Animation and short films at Atlanta’s Landmark Midtown Arts Cinema
- 22: Jerry Cullum reviews Elyse Defoor’s classical turn at Wm Turner Gallery
- 19: Jerry Cullum reviews Steven Sachs’ “Rock, Paper, Scissors” at Barbara Archer Gallery
- 17: Art in 60 seconds: A conversation with video artist Amber Boardman
- 15: News: Southeast Fiber Arts Alliance is a new organization for fiber arts
- 14: Dance review: Flux Projects debuts with gloATL at Lenox Square. ‘Did you find what you were looking for?’
- 13: CD review: The late Beth Newdome in a recording of three Herbert Howells violin sonatas
- 12: Art review: Atlanta’s Scott Ingram, redrawing the masters, at Solomon Projects
- 11: Cult classics from Mauricio Kagel: A free “Film Music, Music Performance, Performance Film”
- 11: Life and death: Jiha Moon at Saltworks, Gyun Hur at Get This!
- 10: Jon Ross previews the Emory Jazz Festival, two days of music and master classes
- 10: Breaking news: Architectural team chosen to design the Atlanta BeltLine
- 09: News: Artist opportunities in Atlanta, but you’ll have to act fast
- 08: Renee Stout wins the High Museum’s David C. Driskell Prize
- 07: When art critics make the news: Creative Loafing interviews ArtsCriticATL’s Cathy Fox
- 07: It will cause a stampede: Dancers to invade Lenox Square on Valentine’s weekend
- 07: Lynn Geesaman and Jack Spencer at Jackson Fine Art, by Jerry Cullum
- 06: Coming Feb. 8, Sonic Generator plays music by Bang on a Can composer Michael Gordon
- 05: A conversation with Atlanta Ballet’s Tara Lee, dancing “Cinderella” as a strong modern woman
- 05: Michael C. Carlos Museum opens a Web site for armchair archaeologists
- 04: Breaking news: The hammer drops at the Georgia Council for the Arts
- 04: Matisse, book artist, at Oglethorpe University Museum of Art
- 03: Jazz review: Pianist McCoy Tyner brings trio to Variety Playhouse, by Jon Ross
- 02: Coming this week: Orpheus Chamber Orchestra and Peter Maxwell Davies’ new “Sea Orpheus”
- 01: Breaking news: Georgia State University School of Art and Design receives major bequest
- 01: Film review: Gritty Paris and Gallic cool in Claire Denis’ “35 Shots of Rum”
- January 2010 (37)
- 31: R.I.P Miramax Films: The end of an indie-film era
- 31: Gaga dance from choreographer Ohad Naharin and Cedar Lake Contemporary Ballet
- 29: Breaking news: 2010 Atlanta Jazz Festival returns to Piedmont Park, by Jon Ross
- 29: Art review: “Run for Cover” at Spruill Gallery celebrates the art of album covers
- 29: Tonight: Videos by Vito Acconci at Eyedrum, preview by Andy Ditzler
- 28: Playing to strengths and box office, Atlanta Opera announces shortened 2010-11 season
- 27: Breaking news: Brownlee and Cullum win first Nexus Award from Atlanta Contemporary Art Center
- 27: Theater review: Mel Brooks’ “Young Frankenstein,” singing, dancing and sensory overload at the Fox Theatre
- 27: Breaking news: The Hudgens Prize to award $50,000 to a Georgia artist
- 27: Remembering Atlanta playwright, poet, storyteller Frank Manley, by Vincent Murphy
- 25: Atlanta dancers unite for Haiti earthquake relief performance, Saturday at 7 Stages
- 24: Concert review: Bang on a Can All-Stars and Wilco’s Glenn Kotche at Emory’s Schwartz Center
- 23: Les Ballets Trockadero brings a little Monte Carlo dazzle and camp to Georgia Tech’s Ferst Center
- 22: Breaking news: Atlanta Ballet music director Dan Alcott resigns
- 22: Jazz review: Trumpeter Joe Gransden’s big band shows its be-bop chops at Café 290, by Jon Ross
- 22: Breaking news: Grants for MOCA GA’s Working Artist Project
- 22: Film review: Hal Holbrook and the drone of Southern cicadas in Scott Teems’ “That Evening Sun”
- 21: Theater review: The a capella fellas lift every voice in Alliance Theatre’s “Avenue X”
- 20: Breaking news: Budget evisceration at the Georgia Council for the Arts
- 18: Choreographer George Staib talks about culture and identity for Staibdance debut
- 17: Breaking news: the birth of Atlanta’s Flux Projects, a new/old model for arts patronage
- 16: Getting closer: Wynton Marsalis’ (almost complete) “Blues Symphony,” review by Jon Ross
- 15: “Altered Environments” and more works from the permanent collection at the High Museum
- 14: Concert review: Cobb Symphony premieres music by Robert Cronin and Jen Mitchell
- 13: Atlantans join art project targeting lead pollution by Rebecca Dimling Cochran
- 12: Gems await at the Atlanta Jewish Film Festival
- 12: Atlanta’s dance renaissance gets national exposure in Dance Magazine
- 10: Preparing for Staibdance debut with choreography by Catellier & Staib and more
- 09: Jerry Cullum reviews Venske & Spänle’s impudent sculptures at Marcia Wood Gallery
- 08: Theater review: sexy and a little too ripe “Canterbury Tales” at the Shakespeare Tavern
- 08: One week only: Micah Stansell’s video installation “Presynaptic Potential” at MOCA GA
- 07: “Picturing Home,” a juried photo exhibit at Emory University’s Visual Arts Gallery
- 06: Breaking news: Donald Runnicles re-ups as Atlanta Symphony principal guest conductor
- 05: Twyla Tharp’s “Come Fly With Me,” an Atlanta premiere, heads to Broadway
- 05: Bryce Hammond and Maxx Morgan in “A Tale of Two Cities” at Alan Avery Art Company
- 05: Talking with David Lang about “The Little Match Girl Passion” (Harmonia Mundi)
- 03: Katherine Mitchell’s “Correspondences, Conversations, and Text” at Sandler Hudson Gallery
- December 2009 (26)
- 28: Opera review: Menotti’s “Amahl and the Night Visitors” at Theatrical Outfit
- 24: Thomas May reviews Thielemann’s “Ring” from Bayreuth (Opus Arte)
- 21: Atlanta Symphony Chorus a highlight of Berlin Philharmonic Digital Concert Hall
- 21: New etching by Ruth Laxson from the Atlanta Printmakers Studio
- 19: Ballet Review: Atlanta Ballet’s updated “Nutcracker,” a fresh classic
- 18: Art review: “More Mergers & Acquisitions” at the Atlanta Contemporary Art Center
- 18: Film review: Wicked and touching, Sebastian Silva’s “The Maid”
- 16: Film review: Sex, nudity, grandchildren in Andreas Dresen’s “Cloud 9″
- 16: Art review: Chris Scarborough’s fine “mess” at Atlanta’s Marcia Wood Gallery by Rebecca Dimling Cochran
- 15: Choreographers named for 2010 Modern Atlanta Dance Festival
- 15: An “Aerge to Walk”: Three performances by Stuart Keeler this week
- 15: Breaking news: Atlanta Symphony appoints new concertmaster
- 14: News: Playable 2010, an international design competition, launches in Atlanta
- 14: News: Playable 2010, an international design competition launches in Atlanta
- 13: ArtsCriticATL interview: New Atlanta Ballet executive director Arthur Jacobus
- 11: Art review: Atlantan Sarah Hobbs assaults our defenses in photos at Solomon Projects
- 10: Breaking news: Atlanta Opera cuts productions and budget for next season
- 10: Architecture news: a new website for architects and architecture lovers
- 08: Concert review: Three composer-inventors make “Audio Art” at Atlanta’s eyedrum
- 08: Theater review: Chris Kayser brilliant in “A Christmas Carol” at Atlanta’s Alliance
- 08: George Kuchar, legendary filmmaker, makes music video for Atlanta’s Andy Ditzler
- 07: Lauri Stallings’ gloATL makes dance, Sonic Generator makes music, for “crea”
- 04: Theater review: “Scrooge in Rouge” at Atlanta’s 14th Street Playhouse
- 04: DVD review: “The Rite of Spring” choreographed by Nijinsky. Spectacular. (BelAir Classiques)
- 03: Breaking news: Atlanta’s Idea Capital announces 2009 artist grants
- 02: Atlanta’s Fahamu Pecou, at Get This! Gallery and beyond
- November 2009 (29)
- 30: CD review: “In C Remixed” (innova)
- 30: Dance review: Atlanta’s Brooks and Company Dance in “Composed”
- 29: Theater review: Music & mirth in “A Christmas Carol” at Atlanta’s Shakespeare Tavern
- 28: Photography review: Tierney Gearon’s “Explosure” at Jackson Fine Art
- 27: CD review: Lado Ataneli sings baritone arias (Naxos)
- 24: Behind the scenes: Team Marsalis and the status of Wynton’s “Blues Symphony”
- 24: Art review: “Scripture for the Eyes,” 16th-century prints at Atlanta’s Carlos Museum
- 23: A new book: “Georgia Masterpieces: Selected Works from Georgia’s Museums”
- 23: Horse theater review: “Cavalia” at Atlanta’s Atlantic Station dazzles
- 23: Breaking news: Atlanta Ballet names new executive director
- 23: Concert review: Sonic Generator’s “French-American Connection” at Georgia Tech
- 19: Breaking news: High Museum hires new modern and contemporary art curator
- 18: Atlanta’s Synchronicity theater drops two shows, including Sarah Ruhl’s “Dead Man’s Cell Phone”
- 13: Corin Hewitt, Harry Shearer and Will Rogan at The Atlanta Contemporary Art Center
- 12: Art review: “Still Water,” Agnes Scott College’s engaging and sometimes witty look at the water crisis
- 11: And the winners are … the 2009 Suzi Bass Awards for best theater in Atlanta
- 11: Another review of David Mamet’s “A Life in the Theatre” at Atlanta’s Alliance Theatre
- 10: Symphony’s Marsalis “Blues Symphony” world premiere postponed (again)
- 09: Theater review: Audiences sour on “A Life in the Theatre” at Atlanta’s Alliance
- 09: Dance review: Angela Harris’ Dance Canvas at 14th Street Playhouse
- 09: Another perspective on the Atlanta Symphony’s “Chinese” program, at Carnegie Hall
- 09: Art review: Joel Leivick photographs at Emory’s Visual Arts Gallery
- 06: Discounted theater tickets: Pay what you can at Atlanta’s Theatrical Outfit
- 04: Marcel Breuer retrospective at the Museum of Design Atlanta and the Central Library
- 04: Lauri Stallings talks about dance and gravity and raves about Atlanta (interview Part 2)
- 04: Atlantan Ed Spriggs on the late Roy DeCarava
- 03: Classical radio wit
- 03: ArtsCriticATL interview with choreographer Lauri Stallings about “pour” (Part 1)
- 02: Chi Peng’s terrific “Journey to the West” at Atlanta’s Kiang Gallery
- October 2009 (33)
- 30: Concert review: Runnicles and Atlanta Symphony soar in Brahms’ “Ein deutsches Requiem”
- 29: ARCHITECTURE
- 29: Breaking news: Atlanta arts organizations collaborate on family subscription series
- 26: Dance review: Atlanta Ballet presents Mark Godden’s “The Magic Flute”
- 26: Film review: The lived-in pleasures of Hirokazu Kore-Eda’s “Still Walking”
- 23: Christopher O’Riley, host of NPR’s “From the Top,” plays Chopin Society of Atlanta
- 22: Theater review: world premiere of Gabriel Dean’s “Buy My House…Please!” at Aurora Theatre
- 22: A valentine to Atlanta architect John Portman at the High Museum of Art
- 20: Georgia Shakespeare news: the 2010 season and the return of Shake at the Lake?
- 20: David Parsons Dance and East Village Opera Company in “Remember Me”
- 19: The cell phone as artist’s tool: ‘on the flip side’ at Atlanta’s Spruill Gallery
- 19: Alejandro Aguilera, Kojo Griffin and Jefferson Pinder at Saltworks
- 16: Film review: terrorism impassioned in Uli Edel’s “The Baader Meinhof Complex”
- 15: Concert review: Atlanta Symphony and Yo-Yo Ma play Angel Lam’s “Awakening from a Disappearing Garden”
- 15: South Atlantic Region chapter American Institute of Architects design award: Praxis3
- 14: South Atlantic Region chapter American Institute of Architects design award: Amy Landesberg
- 13: South Atlantic Region American Institute of Architects design awards: Mack Scogin Merrill Elam Architects
- 13: The grass is greener: Denver Art Museum’s ambitious exhibit of site-specific art
- 13: South Atlantic Region American Institute of Architects Design Awards: Robert M. Cain
- 11: Atlanta’s Perkins + Will wins international design competition for portable classroom
- 09: Film review: Agnes Varda’s self-portrait “The Beaches of Agnes”
- 08: Review of “Leonardo da Vinci: Hand of the Genius” at Atlanta’s High Museum
- 07: Atlanta Celebrates Photography: a grass-roots organization thrives
- 07: Yoel Levi conducts Atlanta Opera’s “The Elixir of Love”
- 06: “Leonardo” and how artists grow
- 05: Atlanta Symphony conductor Robert Spano named Emory artist in residence
- 05: Le Flash-Atlanta 2009 on YouTube
- 05: Le Flash-Atlanta: worlds collide in dance with Lauri Stallings’ “Pour”
- 05: Le Flash: Le Postmortem
- 04: Film review: Martin Provost’s “Seraphine” — scrubbing floors, making naïve art
- 02: News you can use: Le Flash
- 01: Wendy Wasserstein’s “Third,” strong medicine from Horizon Theatre
- 01: Artist Radcliffe Bailey’s new show at Atlanta’s Solomon Projects
- September 2009 (21)
- 30: It’s official: Philadelphia Orchestra snags Allison Vulgamore
- 30: News you can use: free passes to High Museum’s “Leonardo”
- 29: Review round-up of Twyla Tharp’s “Come Fly With Me”
- 29: “Sweet Tea: Black Gay Men of the South,” a book and a performance
- 28: Coming to an arts multiplex near you: Louvre Atlanta (Part Deux)
- 27: Dance Review: Twyla Tharp’s “Come Fly With Me,” Sinatra in the starry sky
- 27: Le Flash — possibly Atlanta’s event of the year — and a prelude
- 23: The ArtsCriticATL interview with Twyla Tharp for “Come Fly With Me”
- 22: Breaking news: Allison Vulgamore quits Atlanta Symphony for Philadelphia Orchestra
- 21: A world awry: Sarah Emerson and Jeff Grant
- 21: Two takes on the classics: sitar/tabla and violin/piano
- 15: Black female identity and art, at Spelman College Museum
- 15: Twyla Tharp’s “Come Fly with Me” comes to Atlanta’s Alliance Theatre
- 08: Dead! Alive! Real Zombies in Atlanta
- 06: New Trinity Baroque opens its 11th season
- 04: Breaking news: Goodbye Cleveland, hello Kuala Lumpur!
- 04: Louvre Atlanta limps to the finish line
- 03: “Grey Gardens” at Actor’s Express — Cats, camp and Kennedy connections
- 02: Plan your 2009 fall dance calendar now. Here are Cynthia’s top picks.
- 02: An 8-projector film extravaganza, at Eyedrum
- 01: Charles Huntley Nelson Jr. remembered
- August 2009 (14)
- 27: Maria Artemis at Museum of Contemporary Art of Georgia
- 26: Live from London: Donald Runnicles conducts over the Internet
- 26: Theatre in the Square’s edgy Alley Stage fades to black
- 21: Photographer Alec Soth’s loners at the High Museum
- 20: Fletcher Wolfe re-ups as Atlanta Boy Choir conductor
- 19: Southface teaches eco-values by example
- 18: Are teenage conductors the future of classical music?
- 18: ‘Their bodies are canvases’: the extraordinary art of Ethiopia’s Omo Valley
- 17: Liberated from storage purgatory: High Museum exhibits from its collection
- 13: Jennie C. Jones makes music at the Contemporary
- 11: Save Eyedrum! Auction Friday night
- 11: Boy Choir melts down in classic Atlanta style
- 08: Breaking news: Alliance Theatre cans managing director Tom Pechar
- 03: Le Flash-Atlanta grows up
- July 2009 (26)
- 31: NBAF art exhibits and the enduring portrait genre
- 29: “Alice” at Georgia Shakespeare, neither curiouser nor curiouser
- 27: In memoriam, dancer Antonio Sisk
- 27: gloATL’s “rapt” and the ASO over the weekend
- 26: Lauri Stallings’ “rapt” transforms the Woodruff Arts Center
- 24: Of dinosaurs and graffiti, “Buying local” at Emily Amy Gallery
- 24: Pipe dreams on the Emory University organ
- 22: Emerging artists at the Atlanta Printmakers Studio
- 21: Classical scene odds-n-ends, July 2009
- 20: Dance 101’s “Incarnation” ushers in new voices, new works
- 19: In Fugard’s “Blood Knot,” the odd couple electrifies at Theatrical Outfit
- 19: Gateways going green at the Garden and on the Chattahoochee
- 17: Marcia Wood gallery group show
- 16: CD review: Minkowski conducts Bach B-minor Mass (Naive)
- 16: Mired in money troubles, Eyedrum threatens to move or close
- 14: Horizon Theatre’s engaging “A Cool Drink A Water”
- 12: Spelman museum to go “undercover.”
- 11: ‘Bear thou my hand, sweet wench, between thy teeth,’ or laughing at “Titus Andronicus”
- 10: Atlanta artists Marcia Cohen and Tom Ferguson in the spotlight
- 10: “Tokyo Sonata,” a film of polite desperation
- 09: Atlanta Symphony snags its share of Obama stimulus money
- 08: Atlanta Ballet’s summer talent prepares for free concert
- 05: Klimchak, Atlanta’s one-of-a-kind composer
- 03: Brian Dettmer: under the radar no more.
- 02: “Smoke on the Mountain” at Marietta’s Theatre in the Square
- 01: Lauri Stallings’ gloATL group will dance at the Woodruff Arts Center
- June 2009 (37)
- 30: “Emerging” artists at Spruill Gallery
- 30: Minadakis is back on a “Hot Tin Roof” at Georgia Shakespeare
- 29: CD review: Glamorous violinist, harrowing concerto
- 29: Atlanta Symphony’s all-Mozart concert at Encore Park
- 29: Lynching photos to have first international showing
- 27: Book review: Hey kids! The Composer is Dead
- 26: Georgia Tech’s Ferst Center names new executive director
- 26: Playing War: Ruth Dusseault at Hagedorn Foundation Gallery
- 26: “Cheri” the latest Michelle Pfeiffer film of love, French style
- 24: High Museum changes Monet “Water Lilies” exhibit
- 23: The new Bascom museum in Highlands, N.C.
- 23: ASO and Chorus opens Encore Park with spectacular “Carmina Burana”
- 21: Protesting on film: folk singers, self-immolation, ACT-UP Atlanta
- 19: Save the date
- 19: Money makes the world go ’round: Atlanta Lyric Theatre’s canned “Cabaret”
- 18: LouvreAtlanta alum heads to Dallas
- 18: Apocalypse Now in two Atlanta art exhibits, with a happy end
- 17: Georgia Shakespeare’s ‘The Casters Show, or A Midsummer Night’s Dream’ (review 2)
- 17: Le Sacre du Google
- 16: First Look at Woodruff Arts Center’s proposed 25-year master plan
- 16: Live blogging the Woodruff Arts Center’s new master plan, today starting at 3 pm
- 15: Georgia Shakespeare opens season with ‘Midsummer Night’s Dream’ (review 1)
- 15: Posters at the Museum of Design Atlanta
- 12: High Museum to mount Radcliffe Bailey solo show
- 12: Historic ‘Atlanta Music Festival’ coming to Spelman College
- 11: CD review: Bach for kids, played by a master
- 11: Fay Gold honored at The Contemporary
- 10: Angelbert Metoyer, Charlie Koolhaas at Sandler Hudson Gallery
- 10: Georgia Shakespeare’s summer 2009 season
- 09: Yoel Levi conducts Atlanta Opera twice next season
- 08: Atlanta Symphony and Luciana Souza in “Tangos, Fados and Dance”
- 08: Atlanta’s Civil Rights Center selects Creative Director
- 04: Drowning in Beauty: Monet’s Water Lilies at the High Museum
- 03: A send-off for Jennings Hertz, a patron of Atlanta theater
- 02: Spoleto Festival names new chamber music director
- 02: Contemporary African-American Art at the High Museum
- 01: Blue Genius: Golijov’s ‘Azul’ from Yo-Yo Ma and ASO
- May 2009 (13)
- 29: Olivier Assayas’ film “Summer Hours”
- 29: Atlanta Civil Rights Center picks Landscape Architect
- 29: David Driskell Prints at the High Museum
- 28: A High Museum Curator departs for Dallas
- 27: Spivey Hall names new education director
- 27: Atlanta architects’ ingenious courthouse designs
- 27: Getting inside the Atlanta Symphony Chorus’ head
- 26: Violin as Cuckoo, Harpsichord as Frog
- 23: Artist Matt Haffner moves in directions old and new
- 18: Posters at Museum of Design Atlanta, and a ‘Morale Hazard’
- 16: Atlanta Ballet splendid for classic ‘Don Quixote’
- 11: Spano and Atlanta Symphony Dream of Orpheus
- 08: Welcome to artscriticATL.com
