Classical Music

New Trinity Baroque opens its 11th season

by Pierre Ruhe | Sep 6, 2009
New Trinity Baroque opens its 11th season

In the past decade, Atlanta’s period-instrument scene has been richer than in comparable cities thanks to two independent ensembles. Today, both face daunting financial obstacles.

The Atlanta Baroque Orchestra has no music director (since energizing conductor John Hsu resigned for health reasons in May) and, with uncertain funding, has just one confirmed date for the upcoming season. The ABO Web site hasn’t been updated since last spring.

Atlanta’s other historically-informed band, New Trinity Baroque, does have its five-concert season booked, although…

Classical Music

Breaking news: Goodbye Cleveland, hello Kuala Lumpur!

by Pierre Ruhe | Sep 4, 2009
Breaking news: Goodbye Cleveland, hello Kuala Lumpur!

A bit of international news with local interest: Former Atlanta Symphony Orchestra artistic administrator Frank Dans, who joined the ASO in 1994 and left in May 2006 to take the same job at the more prestigious Cleveland Orchestra, one of the so-called “big five” American orchestras, is leaving the United States to become general manager of Kuala Lumpur’s Malaysian Philharmonic.

Dans, 58, worked his last day with Cleveland on Sept. 2, and he’s already left to rendezvous with his new orchestra, currently on tour in Japan. His departure has not been announced. (Top photo: Back in the day

Classical Music

Live from London: Donald Runnicles conducts over the Internet

by Pierre Ruhe | Aug 26, 2009
Live from London: Donald Runnicles conducts over the Internet

People who listen to live concerts on their computers, take note: Donald Runnicles conducts Wednesday evening at the BBC Proms festival in London, and you can hear the whole thing for the next seven days. His orchestra is the BBC Scottish Symphony, the band he’ll lead as chief conductor starting this fall. I wrote about the Proms just after the festival opened for the summer, and I’ve managed to eavesdrop on some exceptional concerts.


No radge, Runnicles will continue for another two seasons

Classical Music

Fletcher Wolfe re-ups as Atlanta Boy Choir conductor

by Pierre Ruhe | Aug 20, 2009
Fletcher Wolfe re-ups as Atlanta Boy Choir conductor

No surprise, the embattled Atlanta Boy Choir (ABC) has pulled 72-year-old Fletcher Wolfe (left), the group’s founding director, out of retirement and named him its interim artistic director. A board member told me Wolfe would serve “at most a year” until the permanent chief was hired, although the wording of Wolfe’s letter to parents (see below) isn’t specific.

Read today’s AJC update and read my take on the boy-choir meltdown here.

With a locally known and respected conductor in place, the ABC’s primary…

Classical Music

Are teenage conductors the future of classical music?

by Pierre Ruhe | Aug 18, 2009
Are teenage conductors the future of classical music?

For its final concert of the summer season, the Atlanta Symphony turned over the steering wheel to a conductor who doesn’t yet have a driver’s license. At 16, Ilyich Rivas is not yet a finished artist, but he’s got a spark of personality in his conducting, and he can get a stage full of musicians to follow his every command. Saturday at Verizon Wireless Amphitheatre, reviewed in Monday’s AJC, he was making his U.S. professional conducting debut.

Why is 16 such a big deal? As I wrote in a preview last week:

“Outstanding young violinists or…

Classical Music

Boy Choir melts down in classic Atlanta style

by Pierre Ruhe | Aug 11, 2009
Boy Choir melts down in classic Atlanta style

Last month, the Atlanta Boy Choir (ABC) asked for the resignation of its artistic director, David White. I’d heard White and the choir perform just a couple of times over the past eight years, and wasn’t especially impressed with the results — not a poor performance, by any measure, but below the national standards set by other Atlanta groups such as the Spivey Hall Children’s Choir. (I think it was Robert Shaw who, with a fundamentalist’s zeal, proclaimed, There are no bad choirs, just bad choirmasters.)

In reporting a